12-STRING GUITAR MOTIFS for Fall of the Titans

 

I’ve had a wonderful run of well-attended shows at Grendel’s Den on Harvard Square this winter and want to thank Kari Kuelzer, Charlie Gargano, Joe Froeber and the great staff at Grendel’s for making all the evenings run so smoothly.

Everybody’s having a good time.

This season’s last show is Sunday night, March 31 at 6 p.m.

FALL OF THE TITANS

TICKETS $15

The Eldest Olympian is Love, But With a Dark Origin

You’ve seen Botticelli’s The Birth of Venus. There she stands at the sea’s edge, demure in her newly opened scallop shell. Her hair is plenty long enough to cover all of her, since she’s in her birthday suit, but she’s no prude, not this goddess, and so she’s left one breast uncovered.

A reception committee has arrived to greet her. A handsome winged god, Zephyr, hovers on the left with his cute girlfriend, Aura. Both are blowing a breeze that is driving Venus toward shore and fluffing her hair, almost like a fashion shoot. On the right is the Hora of Spring (one of the Hours), a lovely minor goddess who seems to be doing a bit of floating herself as she holds out a garment for Venus to put on, when she’s ready, of course. Pink mallow flowers hover in the air and appear in miniature on the garment, as well.

In 1480 or so, when Boticelli painted his Renaissance masterpiece, he did not include any blood in the water, notice. There is no Titan on the distant cliffs, laughing, while another Titan, his father, clutches his bloody loins. Nope. Wisely, Botticelli left out the rest of the story.

If you’d like to learn the terrifying origin of The Goddess of Love, the eldest Olympian, join me in my performance of Fall of the Titans, this coming Sunday on Harvard Square at Grendel’s Den.

As gruesome as it is, it makes a strange kind of sense.

An adult storytelling with music on Celtic harp and 12-string guitar. No children please.

 

FALL OF THE TITANS

Odds Bodkin

Sunday, March 31 at 6 pm

Grendel’s Den, Cambridge MA

 

Tickets $15

FALL OF THE TITANS: Adult Storytelling in Cambridge on March 31st

Don’t miss Odds Bodkin’s final story performance of the season at Grendel’s Den on Harvard Square this coming Sunday, March 31st at 6 p.m.

FALL OF THE TITANS is the sweeping saga of ancient Greek Titans, first birthing and then battling, the Gods of Olympus.

 

TICKETS $15

NEXT SUNDAY IN CAMBRIDGE: Fall of the Titans Adult Epic Storytelling

This coming Sunday, March 24th, Odds Bodkin performs FALL OF THE TITANS: The Original Game of Thrones at Gendel’s Den in Cambridge MA at 5 pm. Character voices, sound effects and a full score on 12-string guitar bring this epic Greek myth to life.

After sold-out shows this winter, this is Bodkin’s last appearance on Harvard Square this season.

Arrive at 5, order drinks and food from a great menu, and then settle in for this cosmic tale of creation, family jealousy and the overthrow of worlds.

Tickets $15

 

 

 

A Supercontinent Led Me to this Ancient Greek Myth

Pangea—you’ve heard of it. The ancient supercontinent of the Late Triassic that slowly broke apart into the continents we have today. Geologists have successfully matched so many rock formations at the edges of so many modern continents that they’ve reverse-engineered the rock patchwork puzzle all the way back to Pangea, or “All Earth.”

A few hundred million years of continents drifting an inch a year.

While looking at reconstruction maps of these long-lost continents, I noticed that scientists had named the ancient oceans around them with names like the Rheic Ocean, the Iapetus Ocean and the Tethys Ocean.

Rhea. Iapetus. Tethys. These were names I’d not heard.

A little googling revealed that they were Titans from ancient Greek mythology, first named by a poet, Hesiod, around 700 B.C. in a work called Theogony, or “Birth of the Gods.”

A little unclear about who the Titans were exactly (other than evil giants in Hollywood movies) and what if anything they had to do with the Greek gods, I found a translation of Theogony and lo, realized I’d come upon the Greek genesis story, like Adam and Eve in the Bible.

The story of Gaia and her Titan children, the builders of the earth. At least in the Greek imagination.

Here, ten years later, Fall of the Titans is one of my favorite epic tales to perform. The character voices are wild. The scenes of origins are exciting and revelatory and fun to enact. And as always with my tales, I’ve composed a score for it on 12-string guitar.

Since it usually takes me ten years of telling such a story to be ready to record it, I’m ripe for the plucking now, and so will be recording Fall of the Titans live at Grendel’s Den on Harvard Square this coming Sunday, March 24th at 5 pm.

If you’d like to be part of this live recording event, grab a ticket and I’ll see you there!

TICKETS $15

 

AMBITION, JEALOUSY AND HIGH IRONY: Cronus the Titan

He’s Gaia’s last-born Titan child and talentless, his mother observes. All the other Titans build things—seas, mountains, river systems—but not Cronus. He simply wants to control everything others build.

By the time he’s grown, he’s insanely jealous of Ouranos, his father and Gaia’s husband.

Ouranos rules the universe well until he makes the mistake of angering Gaia by imprisoning a few of her monstrous offspring. Cyclopses and others. In her fury she promises Cronus he can become king if he topples his father from power.

He does it, becomes king and marries his sister Rhea, also, it seems, a talentless Titan. That is until she becomes pregnant and a prophecy is whispered: one of Cronus’s children will overthrow him.

In a rage of fear, he swallows down each of Rhea’s babies after they are born. Demeter. Hades. Hera. Poseidon.

The irony of the overthrower living in fear of being overthrown is not lost on Gaia, but she’s busy creating plants and animals, watching life thrive on her surface, and so let’s things stay as they are. At least for now…

———————–

Come listen to Fall of the Titans, my last show at Grendel’s Den on Harvard Square for this winter. Told with a full score on 12-string guitar, character voices and vocal effects, it’s a full evening of adult storytelling. Introduction on Celtic harp. No children please.

Fall of the Titans

March 24, 2019 at 5 pm

Grendel’s Den in Cambridge MA

Tickets are $15.

FALL OF THE TITANS at Grendel’s Den on March 24th

After a wonderful sold out performance of Beowulf: The Only One last Sunday, my final show in this year’s Grendel’s Den series is two weeks away.

Fall of the Titans is my feature-length version of the Greek myth of Gaia and her Titan children, and how Zeus and the Olympian gods overthrew these creators of the world. It’s a wild and beautiful tale, with no few modern reverberations.

Grab your tickets now!

FALL OF THE TITANS at Grendel’s Den in Cambridge MA/Adult storytelling on March 24th

The poet Hesiod was a contemporary of Homer, circa 700 B.C. in ancient Greece, and together, the two of them essentially codified the Greek myths into the wondrously creative interlocking system of magical adventures we still marvel at, to this very day.

Zeus. Hera. Poseidon. Hades. Demeter. Ares. Aphrodite. Apollo. Hestia. Eris. The strange whole bunch of them.

Without a doubt, they were ancient projections of human truths, utterly imaginary, but who, in ancient times, the Greeks took extremely seriously, as did the Romans after them.

The Olympian Gods.

It’s always good to bear in mind when thinking about fossil spiritual systems like this, that as fervently as whatever deity, if any, or deities, that you yourself, dear reader, might worship today–if you worship any at all–well, the ancient Greeks worshiped their pantheon of imperfect gods just as fervently.

Every day.

Prayers for survival.

Supplications before tiny statuettes lit by burning oil in dark, elemental dwellings or stone palaces where, above everybody, equally, the lightning flashed, nearby volcanoes erupted, invisible diseases appeared and storms inexplicably swept in from the sea.

——————————

 

Odds Bodkin

FALL OF THE TITANS: An Adult Storytelling Performance at Grendel’s Den

Sunday, March 24th, 2019 at 5 p.m.

Tickets: $15

 

 

 

 

 

 

GOOD THINGS COME IN SMALL PACKAGES

Open up an Odds Bodkin Epic Drive and here are the tales you’ll find:

 

Buy it today and receive a free autographed Odyssey Poster/Map with your purchase. A full color poster on one side, and a map of the Mediterranean world on the other, this 16″x20″ map shows where, according to scholars’ best guesses, all 42 episodes of The Odyssey took place.

Bear, Deformed Giant or Wolf-Beast? What did Grendel Look Like?

In the latest Hollywood version of Beowulf, Grendel is a deformed giant with golden highlights. As somewhat human, maybe he deserves our sympathy, despite his cannibalistic tastes.

However, in my adult storytelling version of the tale, BEOWULF: THE ONLY ONE, both he and his mother are considerably more bestial.

In some depictions I’ve seen on book covers, Grendel is round and furry, almost like a bear. Since “the Beowulf poet” who wrote the tale but who’s identity remains a mystery, left few clues about Grendel’s appearance, I’ve opted for a wolf beast, eighteen feet tall, with matted fur that swarms with flies.

Like other characters in the tale, he’s got a distinct voice, although he cannot speak in human tongue. Still, through his roars and growls, you can tell what he’s thinking.

Come hear Grendel speak and see if you think I’ve been able to pull it off. The show is this Friday, Jan. 18, 2019 at 8 p.m. at the Riverwalk Music Bar in Nashua, NH.

Scored throughout on 12-string guitar, this is an adult storytelling with graphic violence. No children, please.

Tickets are $12 in advance, $15 at the door.

 

BEOWULF: THE ONLY ONE

Odds Bodkin

Friday, Jan. 18, 2019 at 8 p.m.

Riverwalk Cafe and Music Bar, Nashua NH

Flaming Oil on Beowulf’s Shield

The Fire Drake’s tongue is grooved down the middle, like a channel for the flaming oil it pours onto Beowulf’s mead hall, and during his final battle with it, onto Beowulf himself. This dragon doesn’t spew flames across distances. Instead, it hovers overhead and pours them. As he crouches beneath the extra-wide bronze shield he’s ordered made, since he knows a linden wood shield will just burn, Beowulf begins to cook anyway.

You must admit, most FX Hollywood dragons act like flying WWII flamethrowers these days; we’ve all seen them. But in my telling of the epic, the physics of heavy dragon oil, ignited at the tip of its tongue and impossible to put out, just seems all the more horrible because it’s viscous, like liquid napalm.

This scene occurs at the very end of BEOWULF: THE ONLY ONE, which I’ll be performing this coming Friday night, Jan. 18, at 8 p.m. at the Riverwalk Music Bar in Nashua, NH. It’s a great intimate venue with a fabulous sound system that deepens the 12-string guitar to a kind of polite thunder, so if you feel like taking in some mythic storytelling instead of your usual Friday night fare, join me.

Great food and a great bar, too. An adult storytelling.

Tickets are $12 in advance, $15 at the door.

 

Odds Bodkin

BEOWULF: THE ONLY ONE

Jan. 18, 2019 at 8 p.m.

Riverwalk Café and Music Bar

Nashua, NH


Photo by Simon Brooks.