The Eldest Olympian is Love, But With a Dark Origin

You’ve seen Botticelli’s The Birth of Venus. There she stands at the sea’s edge, demure in her newly opened scallop shell. Her hair is plenty long enough to cover all of her, since she’s in her birthday suit, but she’s no prude, not this goddess, and so she’s left one breast uncovered.

A reception committee has arrived to greet her. A handsome winged god, Zephyr, hovers on the left with his cute girlfriend, Aura. Both are blowing a breeze that is driving Venus toward shore and fluffing her hair, almost like a fashion shoot. On the right is the Hora of Spring (one of the Hours), a lovely minor goddess who seems to be doing a bit of floating herself as she holds out a garment for Venus to put on, when she’s ready, of course. Pink mallow flowers hover in the air and appear in miniature on the garment, as well.

In 1480 or so, when Boticelli painted his Renaissance masterpiece, he did not include any blood in the water, notice. There is no Titan on the distant cliffs, laughing, while another Titan, his father, clutches his bloody loins. Nope. Wisely, Botticelli left out the rest of the story.

If you’d like to learn the terrifying origin of The Goddess of Love, the eldest Olympian, join me in my performance of Fall of the Titans, this coming Sunday on Harvard Square at Grendel’s Den.

As gruesome as it is, it makes a strange kind of sense.

An adult storytelling with music on Celtic harp and 12-string guitar. No children please.

 

FALL OF THE TITANS

Odds Bodkin

Sunday, March 31 at 6 pm

Grendel’s Den, Cambridge MA

 

Tickets $15

FALL OF THE TITANS this coming Sunday in Nashua, NH

FALL OF THE TITANS this coming Sunday in Nashua, NH begins at 7 pm at the Riverwalk Cafe and Music Bar. Adult Greek mythology told with voices and 12-string guitar music. One of Odds Bodkin’s newest epic evenings of storytelling.

Eat, drink and imagine, all in one evening.

Tickets: $13. Get yours today!

 

 

Something From Nothing

Most folks are familiar with the Biblical account from the Book of Genesis. How God, the Prime Mover, made the earth in six days and rested on the seventh. It’s a cultural touchstone in our part of the world. Modern science doesn’t support it, but as an early origin story, it’s quite elegant.

1:21  “And God created great whales, and every living creature that moveth, which the waters brought forth abundantly, after their kind, and every winged fowl after his kind: and God saw that it was good.”

While the ancient Hebrews were erecting monotheism in the Middle East, across the Mediterranean to the northwest, the Greeks were still polytheists; Zeus, Hera, Poseidon et. al. personified forces of nature, but with human foibles. Nevertheless, in the Greek origin story, a Prime Mover did start it all.

They called her Gaia, the Earth.

According to Hesiod, a contemporary of Homer, before Gaia’s appearance, all was absolute darkness. Absolute stillness. Absolute quiet. The Universe essentially did not exist. Only the nothingness the Greeks called Chaos existed, or didn’t, depending on how you look at it. Then Gaia appeared in the Chaos. No stars yet. No sun or moon. No mountains or seas, either. Just a featureless, lifeless globe spinning in total darkness.

If you’d like to hear how this innocent start to existence ended up torn apart by warring Titans and Olympians in a tale of betrayal, castration, hidden babies and super-weapons, get your tickets today for FALL OF THE TITANS. You’ll learn how the Gods of Olympus were born.

An adult storytelling with characters and music on Celtic harp and 12-string guitar.

 

Odds Bodkin’s FALL OF THE TITANS

Sunday, September 23rd 2018 at 7 pm

Riverwalk Café and Music Bar, Nashua NH

 

The Great Mother’s POV

How would you feel if Earth’s creation––mountains, sea and sky, all living things––were your work and you were Gaia, the original creator of it all? She was, at least according to the ancient Greeks. Gaia is the first of the Titans and she’s driven by Eros to create life constantly. She gives birth to the Twelve Titans, all of them perfect. But when she births six monsters, peace in the Titan family falls apart and launches a Game of Thrones-style conflict among generations. Sex, violence, betrayal and rebellion fill this vivid adult story from Greek mythology told from Gaia’s point of view.

Come hear Master Storyteller and Musician Odds Bodkin tell this wondrous and shocking tale at Grendel’s Den in Cambridge, MA at 5:30 pm this coming Sunday, January 22nd. With character voices, a full score on 12-string guitar and fresh narration, Bodkin turns this little-known myth into a vivid imagination entertainment.

Adult storytelling. Not for children.

Bodkin’s first show at Grendel’s Den sold out, so grab your tickets now!

Fall of the Titans: The Original Game of Thrones

What is Gaia Theory? What Does It Have To Do With FALL OF THE TITANS in Cambridge?

This coming Sunday January 22nd at 5:30 pm I’ll return to Grendel’s Den in Cambridge, MA to tell Fall of the Titans: The Original Game of Thrones, an ancient Greek myth. The 90-minute show, told with narration, character voices and a score on 12-string guitar, is prefaced, believe it or not, with modern science, Gaia Theory in particular. Gaia Theory isn’t a belief, it’s a bundle of sciences. Biology. Chemistry. Physics. Ecology. Plate tectonics. Climatology. Paleo-geology. Vulcanology. Glaciology. On and on. It combines these and other disciplines into the grand notion that Earth is a giant, self-regulating organism, creating and sloughing off complex life forms for many hundreds of millions of years.

Pangea (“all-Earth”) is the name scientists have given the ancient super-landmass that fused the continents 300 million years ago but which drifted apart into what we’ve got today. In certain places, rock layers along the west coast of Africa are identical to rock layers along the east coast of South America, after all. Now the Atlantic Ocean separates them, but at one point they were in the same spot on Pangea. Continents drift about an inch a year.

So what’s the link to my storyteller’s version of Hesiod’s Theogony, a poem from 700 B.C. about the ancient Greek gods we see in the movies all the time? The link is paleo-seas, the waters that surrounded Pangea’s break-up. Scientists have given them names. The Tethys Sea. The Iapetus Ocean. The Pontus Ocean. The Rheic Ocean. Where did these strange names come from?

Well, the scientists who named them were obviously familiar with Hesiod’s creation myth, because Tethys, Iapetus, Pontus and Rhea were Titans, children of Gaia, the Earth itself, all of whom are characters in the Theogony (“birth of the gods”). Think of them as the Earth-Makers. The Bronze Age Greeks looked around and saw mountains, sky and seas and had no idea where they’d come from, so they dreamt up a Titan who created each one of them. Tethys, a Titaness, created the streams and rivers. Pontus created the sea. Iapetus created death to make room for new life. Rhea was the mother of the Olympian gods––Zeus, Hera, Hades, Demeter and so on. They were all part of a family that tore itself apart because of imperfection.

At least that’s the story.

So learning about ancient seas made me curious about the names, the names led me to the story, and now Fall of the Titans is a full-blown performance piece. It’s lots of fun with some pretty cosmic music on 12-string guitar and voices for Gaia, Ouranus, Cronus, Rhea, baby cyclopses, Zeus and others. It is an adult story and is definitely not recommended for children.

I’ll have my Celtic harp to help introduce the science part.

Tickets are $15 for tables and $10 bar seating. I hope to see you there!

Truth or Dare: What Details Should I Include? It’s An Adult Audience, After All.

My text of Hesiod’s Theogony reads like this:

Great Ouranos came, bringing the night,
and spread out around Gaia, desiring philotês,
and was extended. His son reached out from ambush
with his left hand, and in his right he held the sickle,
long and serrated and the genitals of his father
he quickly reaped and threw them behind his back
to be carried away.

“Philotês” means a few things in ancient Greek––friendship, love and sexual intercourse. In this case, it’s definitely intercourse and I’m sure you see where I’m going with this. In this scene, Cronus, the last-born of Gaia’s Titan children, un-kings his father Ouranos to become king himself. Gaia, who’s at the center of my Fall of the Titans tale, is furious with Ouranos for having imprisoned her six latest babies. Ouranos is the Sky (Mother Earth/Father Sky) and has been her husband for eons. Gaia is the Earth. All along he’s been a proud father, having watched Gaia produce 12 perfect Titan children after having philotês with her.

But now that she’s given birth to three Cyclopses and three Hecatonchires (scary beasts with fifty heads) and Ouranos fears what they will become when they grow up, he’s made her angry for the first time. He’s dragged the baby monsters in chains down into Tartarus and locked them in giant prison cells. After this, Gaia decides she is done with Ouranos and wants him de-throned. Since kingliness and fertility were one and the same in the Bronze Age when this tale was set down, castration is the solution. Her ambitious son Cronus agrees to do it. Soon he becomes a paranoid king and since Phoebe, one of his older sisters and a prophetess, foresees that one of Cronus’ children will overthrow him, he eats them one by one as they’re born. Baby Hera, baby Poseidon, baby Demeter, baby Hades and others.

I have two Fall of the Titans shows coming up. I’ve told this story to young audiences in a sanitized, PG version (“Wound your father, so that he may no longer be king” is how I phrase it) but these two shows are for adults, one in Nashua, NH and the other in Cambridge, MA (see below for details). Of course, this is just one small moment in the epic tale itself, but a crucial one. It sets up all kinds of wild events, including the appearance of the Goddess of Love Aphrodite––the first of the Olympians––and a poignant moment later in the tale when Gaia is forced to visit her emasculated ex-husband and beg for his help.

So I’m still wrestling with this Lorena Bobbitt moment. Still not sure what I’ll do.

This coming Sunday night (Jan. 15) at 7:00 p.m. at the Riverwalk Cafe and Music Bar in Nashua, New Hampshire I’ll be telling this tale (tickets here) and once again at Grendel’s Den in Cambridge, MA at 5:30 p.m. on January 22nd. Tickets here.

Wish me luck in telling FALL OF THE TITANS: THE ORIGINAL GAME OF THRONES.

FALL OF THE TITANS: THE ORIGINAL GAME OF THRONES/upcoming show in Nashua, NH

Along with Homer, the ancient Greek poet Hesiod essentially codified old spoken tales of the Olympian gods into the wondrously complex mythology we know today as the Greek myths. It’s good to bear in mind that in their day, these were deeply religious stories and the Greeks believed them as fact. Where had the Earth come from? What caused day and night? Who created the stars? How did the sea become salty? How did memory and prophecy enter the world? Why did weather change? What caused volcanoes to erupt?

Religions do this, each in their own way, even fossil religions like Greek pantheism, and so all these questions Hesiod tried to answer in his poem, The Theogony. “Theo” means deity and “gony” means “the birth of,” and so Hesiod’s “Birth of the Gods” covers all these topics and many more, all filtered, of course, through the mind of a brilliant man who lived circa 700 B.C.

Most folks know about the antics of Zeus, Hera, Athena, Aphrodite, Apollo and the other gods as grownups, but far fewer know the tale of how they were born into a Game of Thrones-style family feud among their parents and grandparents–the Titans.

This coming Sunday, January 15th at 7:00 pm at the Riverwalk Music Bar in Nashua, NH, I’ll be telling my storyteller’s version of this wild old yarn. I call it FALL OF THE TITANS because after they created the Earth, the Titans did indeed fall. It has echoes of Moses in the reeds (Zeus is the hidden baby) and features gorgeous scenes of creation as well as sordid adult moments. If you don’t know this story, you’ll learn how the goddess of love, Aphrodite, was born. Be warned: it’s fairly chilling for most guys. Ambition, lust for power and child-devouring also play significant parts in this Bronze Age narrative.

This is an adult performance and not recommended for children under 13.

As usual, I’ll have my Celtic harp for background lore and my 12-string guitar for scoring the tale itself. I last told this tale in Boulder, CO to an adult audience and they had a great time, so I hope you’ll consider coming to the show. Tickets are $10 here.

StoryEarth: Naturalist Martin Ogle and Odds Bodkin Live

When our kids ask about life’s origins, what do we tell them? What do we tell ourselves?

 

Few peoples or tribes on Earth have lived without an origin story. The Algonquin Native Americans believed that North America was created on the back of a giant turtle in the sea with some magic cloud soil. Many people in our own country believe that God created the Earth in six days, about 6,400 years ago, and that men walked with dinosaurs. Meanwhile the ancient Greek poet Hesiod was of the opinion that the first being was a Titan named Gaia who abruptly appeared and with her 12 Titan children set about creating the stars, the moon, day and night and all the other features of Nature.

 
Since ancient times, humankind has come a long way. With science and technology we’ve evolved immense new eyes and ears such as telescopes and seismographs. No longer do we think Thor in Asgard is hurling thunderbolts during thunderstorms because we understand electricity and use it every day. When a hurricane slams us we don’t think a sea god is angry; no, we can see the tropical depression swirling toward our coasts from our satellites. When volcanic pressures build toward an eruption, micro-quakes swarm across our seismographs to warn us of the danger. We can even listen with radio telescopes to the throbbings of deep space. Still, despite all this science, if we forget the mysteries and needs of the human spirit––and that means a story folks can understand that squares our faith with what we’re seeing around us––we may neglect what needs to be done to sustain life on Earth. We’ve been doing that for quite some time. Maybe all we need to do is update our old stories with some solid science. Sacred Stories 2.0.

 
Up until now, we’ve been looking up at the mysterium tremendum––the “tremendous mystery” in which we live––but for the first time ever, we humans can look down upon our planet. You can now go online and see all the winds circulating around the Earth, or the ones that were doing so about an hour ago, since it takes that long to update the Earth Wind Map software. It’s pretty close to real time. You can see the coastal storms, the typhoons, the giant circulations of wind around Antarctica, how breezy it is in your neighborhood, all of them updated from sensors floating at sea and the work of land-based weather watchers. Tell me I’m crazy but looking at this makes me feel religious. It gives me a sense of my planet in a way the ancients could not perceive. NASA has done the same beautiful thing with ocean currents, the drivers of climate. Whether you think humans are causing global warming or not, at least here before your eyes is the vast convection mechanism that is, for whatever reasons, heating up like a pot of boiling water.

 
On November 9th, 2016 at 7:00 pm I’ll be onstage at the University of Colorado’s Sustainability, Energy and Environment Complex in Boulder with a dear friend, Martin Ogle. Using some storytelling on my part and some science on his, we’re going to explore whether we humans need to update our basic story about the mysterium tremendum. And how we might do that.

 
The show is called StoryEarth and info and tickets are available here. We hope you’ll join us for a fun show and a fascinating discussion, you included!

 

StoryEarth is sponsored by PEN, the Parent Education Network and Entrepreneurial Earth.

 

Odds Bodkin