ABOUT THAT AWFUL SCENE IN EARTH OVERTHROWN

ABOUT THAT AWFUL SCENE IN EARTH OVERTHROWN

 

“a modern-day Orpheus”—Billboard

“a consummate storyteller”—The New York Times

“one of the great voices in American storytelling” —Wired

 

When her husband Ouranos jails her latest babies (four gigantic monsters) in the dark depths of Tartarus, Gaia demands to know just what Ouranos thinks he’s doing. “I didn’t approve this!” she cries, feeling anger for the very first time in all her eons of life.

“When they grow up, they’ll be more powerful than we Titans, Gaia!” her worried husband pleads. “It’s too dangerous! Look how huge they are already!”

“I do not give my permission for this,” she retorts, insulted at his behavior. After all, she created Ouranos and chose him as her husband and king. Together they raised twelve perfect Titan children. But now that she’s birthed a few monsters—he is the father, after all–he thinks he can imprison them? And and go against her will? Because he’s afraid of something that may happen in the distant future?

“You do not have my permission!” she hisses.

“I don’t need your permission!” he snaps back, locking the young monsters in their cells.

A darkness overpowers Gaia and she decides Ouranos will no longer be king. Assembling her twelve Titan children before her, she brandishes a razor-sharp blade. “Who among you will wound your father?” she demands, “And take his power?”

Only Cronus, her last born, the one with no talent other than ambition, agrees. In his low, hateful voice he asks, “If I do this, mother, you promise I will become king?”

“Yes,” she replies.

“How shall I wound him, mother? What shall I cut from him?”

Gaia widens her eyes. Her well-behaved, creative children have never seen her in a fury like this. “What makes a man a man?” she asks darkly.

———————–

This chilling, and yes, quite adult scene is part of EARTH OVERTHROWN: GAIA AND THE TITANS. What Cronus does next, and how Aphrodite in her famous seashell is born from Ouranos’ blood, is just part of this revelatory Greek myth. Backstory after backstory. All the way to the conniving grandson, Zeus, and the war he declares on his parents.

If you’ve ever been curious about where the Gods of Olympus—imaginary as they are–came from, well, here’s your ticket.

The tale is accompanied by a live score performed on 12-string guitar. It’s for adults only.

EARTH OVERTHROWN: GAIA AND THE TITANS

An Odds Bodkin Storytelling Event on Zoom

Thursday, March 3, 2022 at 7 pm EST

Tickets $30 per screen (buys your login and password)

 

 

What is Gaia Theory? What Does It Have To Do With FALL OF THE TITANS in Cambridge?

This coming Sunday January 22nd at 5:30 pm I’ll return to Grendel’s Den in Cambridge, MA to tell Fall of the Titans: The Original Game of Thrones, an ancient Greek myth. The 90-minute show, told with narration, character voices and a score on 12-string guitar, is prefaced, believe it or not, with modern science, Gaia Theory in particular. Gaia Theory isn’t a belief, it’s a bundle of sciences. Biology. Chemistry. Physics. Ecology. Plate tectonics. Climatology. Paleo-geology. Vulcanology. Glaciology. On and on. It combines these and other disciplines into the grand notion that Earth is a giant, self-regulating organism, creating and sloughing off complex life forms for many hundreds of millions of years.

Pangea (“all-Earth”) is the name scientists have given the ancient super-landmass that fused the continents 300 million years ago but which drifted apart into what we’ve got today. In certain places, rock layers along the west coast of Africa are identical to rock layers along the east coast of South America, after all. Now the Atlantic Ocean separates them, but at one point they were in the same spot on Pangea. Continents drift about an inch a year.

So what’s the link to my storyteller’s version of Hesiod’s Theogony, a poem from 700 B.C. about the ancient Greek gods we see in the movies all the time? The link is paleo-seas, the waters that surrounded Pangea’s break-up. Scientists have given them names. The Tethys Sea. The Iapetus Ocean. The Pontus Ocean. The Rheic Ocean. Where did these strange names come from?

Well, the scientists who named them were obviously familiar with Hesiod’s creation myth, because Tethys, Iapetus, Pontus and Rhea were Titans, children of Gaia, the Earth itself, all of whom are characters in the Theogony (“birth of the gods”). Think of them as the Earth-Makers. The Bronze Age Greeks looked around and saw mountains, sky and seas and had no idea where they’d come from, so they dreamt up a Titan who created each one of them. Tethys, a Titaness, created the streams and rivers. Pontus created the sea. Iapetus created death to make room for new life. Rhea was the mother of the Olympian gods––Zeus, Hera, Hades, Demeter and so on. They were all part of a family that tore itself apart because of imperfection.

At least that’s the story.

So learning about ancient seas made me curious about the names, the names led me to the story, and now Fall of the Titans is a full-blown performance piece. It’s lots of fun with some pretty cosmic music on 12-string guitar and voices for Gaia, Ouranus, Cronus, Rhea, baby cyclopses, Zeus and others. It is an adult story and is definitely not recommended for children.

I’ll have my Celtic harp to help introduce the science part.

Tickets are $15 for tables and $10 bar seating. I hope to see you there!