GAIA’S MONSTERS: Mythological Background for Odds Bodkin’s ZOOM Performance this Sunday at 7pm/FALL OF THE TITANS

Up until this point in FALL OF THE TITANS, Gaia the Earth has brought forth perfect human-like children with Ouranos, her husband, Titan of the Sky. She’s given birth to twelve Titan babies in all, each soon in charge of creating an ecosystem.

But this new infant is different. This newborn is a Cyclops, already gigantic as babies go. Even Titan babies.

“I love all my children equally, Ouranos,” Gaia says to horrified Ouranos as she cuddles the one-eyed infant. “And not everything I make is perfect.” She gently pokes the baby’s chest. “Hello, little Arges.” The infant glares at her and then screams like a thousand stabbed goats, even though he’s just been nursed. His Cyclops tummy is full, but still he makes this unnerving sound. It certainly unnerves Ouranos. He has no idea what this means, but it does not bode well.

In a nutshell, here is Gaia, the Earth Mother, the first being of all beings in Greek mythology, or as Ouranos calls her, “Queen of Us All.” Just as with our modern earth, in this fanciful mythological tale, life pours forth from Gaia all across her surface.

Her job is to make life, and in FALL OF THE TITANS, she does so, at times to a fault. She cannot control her fecundity, and she doesn’t really want to because it’s just too important to keep on creating. After all, one of her very first creations is Eros, the attraction between things, which binds the Universe together, and she’s still just as endlessly driven by the lust and love Eros brings as anybody else.

The only difference is, Gaia can create any living thing she likes.

Of any size.

In any form.

She can do it all by herself if she wants to. Ouranos secretly hopes that’s what she just did to create this baby Cyclops.

Maybe he’s not the father, Ouranos thinks. It would be nice if that were true. Maybe she used parthenogenesis, and created this little beast the same way she created Ouranos himself, long ago, from the flesh of her flesh.

He has no idea of the monsters to come.


FALL OF THE TITANS

An Odds Bodkin Virtual Storytelling Event

Sponsored by Grendel’s Den on Harvard Square

Sunday, July 19th at 7 pm EST on ZOOM

TICKETS: $15

 

 

 

 

 

 

 

 

 

 

 

 

 

GAIA: AN ANCIENT MYSTERY

The name “Gaia” entered the popular lexicon along with the “Gaia Hypothesis”, a theory proposed by scientist James Lovelock that views the Earth as a vast, self-regulating organism. Gaia hails from the mythology of the ancient Greeks, who viewed her as the originator of life on Earth, and as the Earth itself. This is all pre-scientific thinking, of course, but nevertheless, Gaia’s story is a creation myth worth knowing.

With Nature in revolt in many formerly livable lands across the planet due to an excess of human activity, the consequences of which are drought, flooding, see-sawing periods of hot and cold, crop losses, human migration, pandemics and social stress, among others, renewed interest in the original Gaia story isn’t surprising.

Upon reading the Greek poet Hesiod’s most famous work, The Theogony, or “Birth of the Gods”, as a storyteller I decided to create a version of this old Greek creation myth from Gaia’s point of view. The Mists of Avalon, by Marion Zimmer Bradley, takes a similar tack only with the Arthurian legends: the author views the events of Arthur and Lancelot from the POVs of the women of Camelot and the Lady of the Lake.

In Babylonian mythology’s creation myth, the Enuma Elis, the primordial Gaia goddess is called Tiamat. In one benign version of the story she is the feminine salt water who mixes with male fresh water to produce early life. In another version, Tiamat is a monster, a vengeful bringer of storms and chaos.

In my FALL OF THE TITANS tale, Gaia is a little bit of both.

I’ll be performing it Sunday, July 19th at 7 pm EST on Zoom. A $15 ticket will buy you the URL and a password to join the event. It’s sponsored by Grendel’s Den, where I’ve told FALL OF THE TITANS to adult audiences before. I also performed it at the Boulder Climate Conference a few years ago. It’s a fun evening, filled with characters and music on 12-string guitar.

It is not for children, however, since there is treachery and sexual violence in the tale.

To read more backstory on FALL OF THE TITANS, scroll through my recent blog posts. You’ll find more articles about the characters and situations in the epic.

FALL OF THE TITANS

Odds Bodkin, Storyteller and Musician

July 19th at 7 pm on ZOOM

Tickets: $15

 

 

 

FALL IS COMING. WILL KIDS HAVE ARTS IN SCHOOL?

School systems across America are facing a back-to-school dilemma. Should students stay home for everyone’s safety or attend real classes this fall? And even if students return, are school assemblies where hundreds gather in a gym or auditorium for arts presentations a step too far?

If you are a parent, teacher or administrator, explore storyteller Odds Bodkin’s ZOOM assemblies. As a solo performer, his presentations are the same music-filled adventures as always, and with ZOOM, every seat is a front row seat. From his Rivertree Productions studio in New Hampshire, he comes to your students live on full screen. Each assembly is password protected and we administer the tech. All you need to do is log on, at school or at home. Live Q&As and follow-up workshops are available as well.

To learn more about elementary school ZOOM assemblies and Odds Bodkin author visits, click on the links or go to Show Requests.

An Odds Bodkin Concert Anywhere on Earth

As a one-man show, Master Storyteller Odds Bodkin has never needed fancy costumes and backup dancers, since they’d only get in the way of audience imagination. Because he’s a character actor, he doesn’t need fellow thespians to bring a story to life. Backup musicians aren’t necessary either; he plays his own music live. And since he doesn’t wear makeup, he looks the same as always. Dressed in black. Beard. Bushy eyebrows.

That’s why in his live Zoom concerts, the only difference is that everyone has a front row seat.

Got a group of bored adults from your company working from home? Book an evening performance of BEOWULF: THE ONLY ONE or ODIN AND THOR BATTLE THE FROST GIANTS.

Got school kids scattered to their homes? Book a GOLDEN RULE: WORLD STORIES ABOUT EMPATHY or FAIRY FOLKS AND OLD OAKS performance for up to 1, 000 of them. It will be live, just for them, some time in the morning or afternoon.

Recently DigBoston wrote about Odds’ “preternatural ability to create characters with an array of simply inspired voices.”

He also offers HEARTPOUNDERS: DARK TALES OF THE SUPERNATURAL shows, as if these times weren’t dark enough.

To learn how to create a large group storytelling event, all while social distancing, inquire here.