DRUIDS AND HALLOWEEN: Heartpounders Show Tonight in Nashua, NH

As part of the introduction for tonight’s show, HEARTPOUNDERS: Halloween Tales of Horror, I’ve be delving into some ancient history. Albion, the old name for England, which means “the white land” (probably because of the chalk cliffs of Dover), when Julius Caesar arrived to conquer it, was a pagan land. People believed in nature spirits, living in a land of mostly forests. This was centuries before the Vatican sent its missionaries to convert the druidical people living there to Christianity.

Caesar wrote about the druids, the priests of the time. They believed that mistletoe was magical, since it lived in clusters on oak tree branches without any visible root systems. They built giant wicker cages in which they burned alive slaves and enemies during a harvest celebration called Samhain. Modern witches still celebrate Samhain. “Witch” derives from the same root words as “wicker”, “wicked”, “willow” and other words, which in their day referred to the ability to use natural herbs to heal (willow contains salicylic acid, otherwise known as aspirin).

When the leaves fell and the darkness of winter approached, Celtic people believed that the boundary between the living and the invisible forces beyond the grave thinned out. Every manner of ghost, goblin and bogie was able to cross over into the world. Rituals to keep them at bay were held at this time of year.

Fast forward to today. Halloween, or All Hallow’s Eve (during the later Christianization of the British Isles by Vatican prelates, they did their best to stamp out this night of primitive beliefs by declaring it sacred, or “hallowed”) has proven to be a tough root to pull out. In America at least, this ancient rite is still animated by parties, costumes and monsters.

Tonight’s show of very scary stories with music begins at 7 pm at the Riverwalk Music Bar in Nashua, NH. It’s not meant for children.

Music is on 12-string guitars, Celtic harp and alto recorder.

Tickets

HERCULES IN HELL/Odds Bodkin in Nashua, NH Sunday June 25th at 7 pm/Mythology Intro on Celtic Harp

Master Storyteller and Musician Odds Bodkin will perform Hercules in Hell, an epic story for adults, at the Riverwalk Music Bar this coming Sunday. Scored with 12-string guitar and introduced with a Celtic harp accompaniment, this is the myth of Hercules as few have heard it. His teenage rages and teacher murders. How he loses his mind and kills his wife and children. The only escape from his guilt the gods offer? Twelve Labors, done for a despised and weak cousin who orders Hercules to kill the Hydra, capture a stag only the virgin goddess of the hunt may touch, drive off giant birds with brass feathers, on and on. Greek mythology for grownups.

Performed with character voices and vocal effects, this is pure imagination entertainment.

Tickets are $10 in advance, $12 at the door. Get them here.

Truth or Dare: What Details Should I Include? It’s An Adult Audience, After All.

My text of Hesiod’s Theogony reads like this:

Great Ouranos came, bringing the night,
and spread out around Gaia, desiring philotês,
and was extended. His son reached out from ambush
with his left hand, and in his right he held the sickle,
long and serrated and the genitals of his father
he quickly reaped and threw them behind his back
to be carried away.

“Philotês” means a few things in ancient Greek––friendship, love and sexual intercourse. In this case, it’s definitely intercourse and I’m sure you see where I’m going with this. In this scene, Cronus, the last-born of Gaia’s Titan children, un-kings his father Ouranos to become king himself. Gaia, who’s at the center of my Fall of the Titans tale, is furious with Ouranos for having imprisoned her six latest babies. Ouranos is the Sky (Mother Earth/Father Sky) and has been her husband for eons. Gaia is the Earth. All along he’s been a proud father, having watched Gaia produce 12 perfect Titan children after having philotês with her.

But now that she’s given birth to three Cyclopses and three Hecatonchires (scary beasts with fifty heads) and Ouranos fears what they will become when they grow up, he’s made her angry for the first time. He’s dragged the baby monsters in chains down into Tartarus and locked them in giant prison cells. After this, Gaia decides she is done with Ouranos and wants him de-throned. Since kingliness and fertility were one and the same in the Bronze Age when this tale was set down, castration is the solution. Her ambitious son Cronus agrees to do it. Soon he becomes a paranoid king and since Phoebe, one of his older sisters and a prophetess, foresees that one of Cronus’ children will overthrow him, he eats them one by one as they’re born. Baby Hera, baby Poseidon, baby Demeter, baby Hades and others.

I have two Fall of the Titans shows coming up. I’ve told this story to young audiences in a sanitized, PG version (“Wound your father, so that he may no longer be king” is how I phrase it) but these two shows are for adults, one in Nashua, NH and the other in Cambridge, MA (see below for details). Of course, this is just one small moment in the epic tale itself, but a crucial one. It sets up all kinds of wild events, including the appearance of the Goddess of Love Aphrodite––the first of the Olympians––and a poignant moment later in the tale when Gaia is forced to visit her emasculated ex-husband and beg for his help.

So I’m still wrestling with this Lorena Bobbitt moment. Still not sure what I’ll do.

This coming Sunday night (Jan. 15) at 7:00 p.m. at the Riverwalk Cafe and Music Bar in Nashua, New Hampshire I’ll be telling this tale (tickets here) and once again at Grendel’s Den in Cambridge, MA at 5:30 p.m. on January 22nd. Tickets here.

Wish me luck in telling FALL OF THE TITANS: THE ORIGINAL GAME OF THRONES.