HERCULES IN LOCK-UP

Stanislaus County Juvenile Hall is the lock-up for dangerous teens in California’s Central Valley, and until that day, the girls and boys incarcerated there had never been allowed into the same room. The warden, however, had okayed it for my show. With arms crossed and hands on opposite shoulders so nobody could hit anybody, the kids filed in, about forty miserable, thrown away children, past the guards with sidearms and pepper spray. There wasn’t a single African American kid among them, I noticed, just whites and Latinos. Some were quite young, nine or ten, but most were twelve to sixteen. Forbidden to speak to each other, they sat in chairs and listened to the 12-string guitar music I was playing through a couple of massive speakers. They were seated about six feet away from me. What these kids had done to end up in this hellhole, I had no idea. My friend, Roy Stevens, opera singer and polymath, had set up the show.

 
By then I’d told this hour-long story, Hercules in Hell, many times. Earlier in the week I’d performed it at the men’s prison, and they’d asked for autographs afterwards, so I knew the story worked. It moves people who are in trouble because the genuine Hercules of myth is nothing but trouble. Incredibly strong, he suffers from blinding rages, even as a teen. After each one he wakes up and sees the death he’s just dealt. But like a werewolf returning to human form, he can’t remember having done it.

 
It’s a good story for kids in lock-up, and for folks in general. I perform it often and will be telling an adult version of it this coming Sunday, April 23rd at 8:00 pm for my final appearance at Grendel’s Den in Cambridge, MA. The other shows have gone remarkably well, with wonderful audiences. As with all these epics, I’ll be playing the 12-string guitar to accompany myself. The Hercules score is unique among all my scores, employing a tuning I use for no other tale. It certainly mesmerized the kids in Juvenile Hall that day. They sat there for an hour in silence and then asked questions for twenty minutes. And nobody hit anybody.

 
Tickets for Hercules in Hell, if you’re interested, are here.