ABOUT THAT AWFUL SCENE IN EARTH OVERTHROWN

ABOUT THAT AWFUL SCENE IN EARTH OVERTHROWN

 

“a modern-day Orpheus”—Billboard

“a consummate storyteller”—The New York Times

“one of the great voices in American storytelling” —Wired

 

When her husband Ouranos jails her latest babies (four gigantic monsters) in the dark depths of Tartarus, Gaia demands to know just what Ouranos thinks he’s doing. “I didn’t approve this!” she cries, feeling anger for the very first time in all her eons of life.

“When they grow up, they’ll be more powerful than we Titans, Gaia!” her worried husband pleads. “It’s too dangerous! Look how huge they are already!”

“I do not give my permission for this,” she retorts, insulted at his behavior. After all, she created Ouranos and chose him as her husband and king. Together they raised twelve perfect Titan children. But now that she’s birthed a few monsters—he is the father, after all–he thinks he can imprison them? And and go against her will? Because he’s afraid of something that may happen in the distant future?

“You do not have my permission!” she hisses.

“I don’t need your permission!” he snaps back, locking the young monsters in their cells.

A darkness overpowers Gaia and she decides Ouranos will no longer be king. Assembling her twelve Titan children before her, she brandishes a razor-sharp blade. “Who among you will wound your father?” she demands, “And take his power?”

Only Cronus, her last born, the one with no talent other than ambition, agrees. In his low, hateful voice he asks, “If I do this, mother, you promise I will become king?”

“Yes,” she replies.

“How shall I wound him, mother? What shall I cut from him?”

Gaia widens her eyes. Her well-behaved, creative children have never seen her in a fury like this. “What makes a man a man?” she asks darkly.

———————–

This chilling, and yes, quite adult scene is part of EARTH OVERTHROWN: GAIA AND THE TITANS. What Cronus does next, and how Aphrodite in her famous seashell is born from Ouranos’ blood, is just part of this revelatory Greek myth. Backstory after backstory. All the way to the conniving grandson, Zeus, and the war he declares on his parents.

If you’ve ever been curious about where the Gods of Olympus—imaginary as they are–came from, well, here’s your ticket.

The tale is accompanied by a live score performed on 12-string guitar. It’s for adults only.

EARTH OVERTHROWN: GAIA AND THE TITANS

An Odds Bodkin Storytelling Event on Zoom

Thursday, March 3, 2022 at 7 pm EST

Tickets $30 per screen (buys your login and password)

 

 

Pox On You All! You Ain’t Gettin’ This Ship!

A POX ON YOU ALL! YOU AIN’T GETTIN’ THIS SHIP!

After Phineas Krull murders the Grand Builderguilder and he and his pirate crew steal The Waistgold, they think they’re free of the denizens of Port Sqwunk. But that’s not the case. Their pursuers want one thing: The Waistgold and her gem-studded wood.

Me spyglass reveals a damn sixty-oared frigate,
Five times our size easy and loaded with Sqwunks.
With at least ten sails up and her cannons, 12-pounders,

Bebristlin’ her rails, she looks ready fer blood.
Below in ‘er galleys, big Roachers be rowin’,
Singin’ songs ‘o the spirit to pass off their pain,
Hungry eyes on each other to see who’ll die first.
Never thought they’d be comin’, but then I sees why.
‘Tis a damn Builderguilder, not ‘im who be dead,
But another––he the brother?–– with a glass to ‘is eye.

Right, the dead one’s brother or a partner in crime
All hot full ‘o vengeance and wanting ‘er back.
Seein’ me seein’ ‘im as we stares ‘cross the space,
I says, “Pox on you all! You ain’t gettin’ this ship!”

Here’s a quick video introduction to this new performance work by Odds Bodkin:

Be in the audience at Grendel’s Den on Harvard Square this coming Sunday the 27th for the live show!

VOYAGE OF THE WAISTGOLD

A Premier Performance

Sunday Feb. 27, 2022 at 5 pm EST

LIVE AT GRENDEL’S DEN on Harvard Square

Tickets: $35

SHE BUILT IT. LET HER HAVE IT.

SHE BUILT IT. LET HER HAVE IT.

In Voyage of the Waistgold, Phineas Krull, a poisoner and pirate, steals a ship he sees at the docks. With a waistband of gold around its gunwales, the ship is unlike anything he’s seen.

 

‘Tis not just the wheel what’s becrusted with gems,

For the ebony beams sport fat emeralds in rows

Seemin’ lit from behind inside finely carved scrolls

Among faces, creatures, temples, odd leaves,

And wrought geometrics o’ the Golden Mean.

 

In a blood-soaked book Phineas reads who ordered it built: young Ood, an orphaned enchantress queen from far to the north. According to the book, she’s probably dead. Her land was in flames when the scribe who wrote the book escaped.

The problem is, it turns out Queen Ood is very much alive. And once she does the impossible and finds Krull on the open sea, she wants her boat back. He lets her and her soldiers come aboard. A confrontation soon follows.

 

“I’d like you to leave,” she says, facin’ the windows,

Unwillin’ to share any truths in ‘er eyes.

“As ye wish, lady queen. Ye may sleep in this cabin.

Know this, though: The Waistgold, tomorrow at dawn,

Sets ‘er sails as she was, ‘fore your boats come a’flyin’.

We’s still headin’ west. Ye can fight, leave or ride.

So please do consider just what ye might do

To avoid unpleasantries fer ye and yer crew.”

 

She understands the danger she faces demanding what is now a pirate ship. It’s the beginning of an astonishing relationship.

I’ll be performing Voyage of the Waistgold in one week, at Grendel’s Den on Harvard Square. In this original fantasy world, I’ll perform the tale in pirate patois, with Phineas Krull as the narrator. If you come, be sure to bring a thick skin; this story is guaranteed to leave no one unoffended. It’s adult fun.

Have some food and drink, and then be among the first to experience this tale.

Odds Bodkin

Voyage of the Waistgold

Sunday, Jan. 27, 2022 at 5 pm EST

Grendel’s Den in Cambridge MA

Tickets $35

 

 

 

 

 

 

 

 

 

Origin Myths

Long before geology and science in general led to a revolution in our understanding of Earth’s ancient story, pre-scientific peoples asked the question, as all of us do: where did all this come from? This Earth? We humans? The life systems of rock, oceans and sky that sustain us? When and how did it all begin?

Those questions remain profound ones, questions that we’re still working to answer. Our human origin story is more finely honed with each passing archeological and genetic discovery—and there are plenty more to be unearthed—while Earth’s origin story, and that of our Solar System and the Universe, is deepened by astrophysical discoveries every day.

However, pre-scientific peoples were just as smart as we are, they just didn’t have our modern tools. Did that prevent them from using their raw senses and storytelling skills to explain where they themselves came from? Certainly not. After all, what’s an ancient father or mother to do when their child asks, “Mommy, where did the stars come from?” Better say something by way of explanation, otherwise your child will think you’re a know-nothing.

And so, around fires in caves and eventually in mud huts and stone cities, origin myths were born. Every band of humans had one, unique to their surroundings.

The ancient Greeks were especially detailed in their fantasies, and no Greek more so than the poet Hesiod, who lived around 700 B.C.

I have based EARTH OVERTHROWN: GAIA and the TITANS, on Hesiod’s Greek genesis story, The Theogony.

In this origin myth, Gaia is the Earth. Her children the Titans create the ecological systems upon her surface. They all take both human and elemental forms, switching easily back and forth, and all have human failings, just like we do.

That makes The Theogony an interesting tale indeed. Jealousy, horror, dashed expectations, war and betrayal stalked the Titans, just like they do we moderns, who fancy that we know so much more than the ancients.

There’s even some humor.

STORYTELLER ODDS BODKIN

EARTH OVERTHROWN: GAIA AND THE TITANS

MARCH 3, 2022 at 7 pm EST on Zoom

Performed with 12-string guitar

Tickets: $30

Part I of a 3-part series, POWER MYTHS OF ANCIENT GREECE in March/April

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Live and Online Adult Story Performances by Odds Bodkin Coming Up in March and April 2022

Live and Online Adult Story Performances by Odds Bodkin Coming Up for March and April!

Master Storyteller and Musician Odds Bodkin announces four LIVE shows coming up at Grendel’s Den on Harvard Square in Cambridge, MA, plus POWER MYTHS OF ANCIENT GREECE, a compelling 3-part series over Zoom starting March 3rd.

“a modern-day Orpheus”–Billboard

Feb. 27 (Sunday) at 5 pm: VOYAGE OF THE WAISTGOLD, the world premier of Bodkin’s original pirate fantasy tale in verse. Live at Grendel’s Den on Harvard Square, the artist reads aloud his outrageous new literary work, narrated in “pirate patois.” GET TICKETS

 

 

March 3 (Thursday) at 7 pm EST: EARTH OVERTHROWN: GAIA AND THE TITANS, the “Genesis story of ancient Greece,” performed with a 12-string guitar score. The first in his POWER MYTHS OF ANCIENT GREECE series on Zoom. Watch from anywhere. GET TICKETS

 

 

March 17 (Thursday) at 7 pm EST: THESEUS AND THE MINOTAUR’S FEAST, his debut telling of this wondrous and gruesome myth performed with 12-string guitar. The second in his POWER MYTHS OF ANCIENT GREECE series on Zoom. Watch from anywhere. GET TICKETS

 

 

March 20 (Sunday) at 5 pm EST: BEOWULF: THE ONLY ONE, his beloved telling of the original version of Beowulf. Live at Grendel’s Den on Harvard Square, Bodkin evokes the old Viking world with voices and 12-string guitar. GET TICKETS

 

 

April 3 (Sunday) at 5 pm EST: ODIN AND THOR BATTLE THE FROST GIANTS, his performance of two powerful Norse myths, Thor’s Journey to Utgard and The Mead of Poetry on two 12-string guitars, with a lore introduction on Celtic harp. All before a live audience at Grendel’s Den on Harvard Square. GET TICKETS

April 14 (Thursday) at 7 pm EST: THE ILIAD: CAPTIVES, PLAGUE AND FURY, his tour de force telling in modern language of Book I of Homer’s Trojan War classic, The Iliad. The third in his POWER MYTHS OF ANCIENT GREECE series on Zoom. Music on thunderous 12-string guitar. Watch from anywhere. GET TICKETS

 

 

April 17 (Sunday) at 5 pm EST: THE FALL OF GAIA, his in-person version of Hesiod’s Theogony, with a panoply of character voices and music on 12-string guitar. This show is live at Grendel’s Den on Harvard Square. GET TICKETS

 

 

 

If You’re in Boston…

If you’re in Boston this February 27th, make your way to Harvard Square. There, tucked away down a set of brick stairs, you’ll find Grendel’s Den, a legendary watering hole. You’ll see a small stage beneath lights that sports a lectern and a microphone. Be sure you’re vaccinated (they won’t let you in otherwise) and find your table. You might even be given a free test kit, new from MIT.

Music will be playing over the sound system, but it won’t be long before I’ll appear onstage and the music will fade. I won’t have my usual 12-string guitars or harp; instead, I’ll open a simple manuscript.

“Voyage of the Waistgold: An Untrue Tale in Doggerel Rhyme by Odds Bodkin,” I’ll begin in my ordinary American English, the one I use to talk to people in the real world. “Chapter One: The Builderguilder’s Boat.”

Ah, but then, Captain Phineas Krull will begin to speak. He’s a terrible, murderous pirate on a fantastical sea, my narrator and the one who lives my 90-minute adventure. His voice is rough and gritty. He even sounds dangerous.

“So I hires me a crew o’ drug suckin’ thieves/To help me to steal ‘er, that fine filly ship./With one goodly mast, like Priapus himself,/Buried deep in ‘er hold ‘neath a parquetry deck/And a gem-crusted wheel fer the high dudgeon winds/ The Waistgold, we seen ‘er, my silver sea slipper/Tied placid ‘twixt other and far lesser boats.”

So begins the saga of how Krull murders the local Builderguilder and escapes with the salvaged Waistgold, only to discover that the gem-laden ship has a mind of its own. A dark magician himself, he’s baffled by his new boat’s powers. And he’s worried, because he doesn’t know how to control them. It makes more sense when he finds a dead scribe’s book, written in blood. In it, Krull reads about Queen Ood, the enchantress who built the boat, who or may not be alive.

This story reads somewhere between William Burroughs’ The Naked Lunch and Jonathan Swift’s Gulliver’s Travels.

According to Wikipedia, Swift claimed that he wrote Gulliver’s Travels “to vex the world rather than divert it”. Voyage of the Waistgold is much the same.

For Adults Only.

Voyage of the Waistgold

A World Premier Event

Februry 27, 2022 at 5 pm EST

Grendel’s Den, Cambridge MA

Tickets: $35

 

It’s Like a Movie, Seen from Inside the Hero’s Mind

It’s like a movie, seen from inside the hero’s mind. In this case, he’s Odysseus of Ithaca, a father and fighter, far from home. The Greek poet Homer’s great metaphor for how soldiers come home after war is what The Odyssey is all about.

Almost making it home, but then being swept away again by forces beyond your control. The lure of drugs to calm the mind. And being forced to fight an inhuman monster because you made a bad decision.

This coming Sunday, Jan. 16 at 7 pm EST, Master Talesman Odds Bodkin will appear on YouTube Live to tell this timeless story. He’ll accompany himself throughout on thunderous 12-string guitar.

Get your tickets today.

 

The Odyssey: Belly of the Beast

Jan. 16, 2022 at 7 pm EST, 4 pm PT.

An hour+ performance live on YouTube.

Tickets: $25-$30

 

Presented by Claire Hennessy and Six Feet Apart Productions.

 

NOW IN STOCK: Odds Bodkin Story Drives

NOW IN STOCK: Odds Bodkin Story Drives. You can always download Odds Bodkin’s classic tales with original music from Odds’ Shop and get them instantly, or you can order a Story Drive to share with friends and family.

Click images for story details!

Coming to YouTube Live: Odds Bodkin Performs THE ODYSSEY January 16th at 7 pm EST

Coming to YouTube Live on January 16th at 7 pm. Get tickets now for Odds Bodkin’s epic, THE ODYSSEY: BELLY OF THE BEAST.

Soaring, exciting music on 12-string guitar. A host of character voices, including Odysseus and the Cyclops. Amazing vocal effects of storm winds, sea birds and crashing stones.

Hosted by Six Feet Apart Productions, master talesman Odds Bodkin will spellbind you with his vivid storytelling during this Sunday performance.

Tickets: $25-$30. Assemble your family and friends for this “tour de force” (Dartmouth Classics Dept.) live performance by a “consummate storyteller” (The New York Times.).

TICKETS

ODDS BODKIN’S CORE AUDIOS (19 FULL-LENGTH ALBUMS). Get Your Instant Download Delivery Today!

Looking for a lasting gift for your family? One that can arrive instantly, without shipping? Then purchase this collection of all Odds Bodkin’s audio storytellings, now including Beowulf, his 1 hour and 20 minute epic telling with music before a live adult audience at Grendel’s Den in Cambridge, MA.

 All Collections Instant Download Bundle

$99

 

Buy the Bundle, then log in any time to download your next epic, or children’s story, or musical adventure. Or download them all at once!

4 Great Ways to Get Odds Bodkin’s Award-Winning Story Collections for the Holidays!

4 Great Ways to Get Odds Bodkin’s Award-Winning Story Collections for the Holidays!

The Master Drive and The Epic Drive ship with complimentary autographed Odyssey Adventure Maps!