NEXT SUNDAY IN CAMBRIDGE: Fall of the Titans Adult Epic Storytelling

This coming Sunday, March 24th, Odds Bodkin performs FALL OF THE TITANS: The Original Game of Thrones at Gendel’s Den in Cambridge MA at 5 pm. Character voices, sound effects and a full score on 12-string guitar bring this epic Greek myth to life.

After sold-out shows this winter, this is Bodkin’s last appearance on Harvard Square this season.

Arrive at 5, order drinks and food from a great menu, and then settle in for this cosmic tale of creation, family jealousy and the overthrow of worlds.

Tickets $15

 

 

 

AMBITION, JEALOUSY AND HIGH IRONY: Cronus the Titan

He’s Gaia’s last-born Titan child and talentless, his mother observes. All the other Titans build things—seas, mountains, river systems—but not Cronus. He simply wants to control everything others build.

By the time he’s grown, he’s insanely jealous of Ouranos, his father and Gaia’s husband.

Ouranos rules the universe well until he makes the mistake of angering Gaia by imprisoning a few of her monstrous offspring. Cyclopses and others. In her fury she promises Cronus he can become king if he topples his father from power.

He does it, becomes king and marries his sister Rhea, also, it seems, a talentless Titan. That is until she becomes pregnant and a prophecy is whispered: one of Cronus’s children will overthrow him.

In a rage of fear, he swallows down each of Rhea’s babies after they are born. Demeter. Hades. Hera. Poseidon.

The irony of the overthrower living in fear of being overthrown is not lost on Gaia, but she’s busy creating plants and animals, watching life thrive on her surface, and so let’s things stay as they are. At least for now…

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Come listen to Fall of the Titans, my last show at Grendel’s Den on Harvard Square for this winter. Told with a full score on 12-string guitar, character voices and vocal effects, it’s a full evening of adult storytelling. Introduction on Celtic harp. No children please.

Fall of the Titans

March 24, 2019 at 5 pm

Grendel’s Den in Cambridge MA

Tickets are $15.

FALL OF THE TITANS at Grendel’s Den in Cambridge MA/Adult storytelling on March 24th

The poet Hesiod was a contemporary of Homer, circa 700 B.C. in ancient Greece, and together, the two of them essentially codified the Greek myths into the wondrously creative interlocking system of magical adventures we still marvel at, to this very day.

Zeus. Hera. Poseidon. Hades. Demeter. Ares. Aphrodite. Apollo. Hestia. Eris. The strange whole bunch of them.

Without a doubt, they were ancient projections of human truths, utterly imaginary, but who, in ancient times, the Greeks took extremely seriously, as did the Romans after them.

The Olympian Gods.

It’s always good to bear in mind when thinking about fossil spiritual systems like this, that as fervently as whatever deity, if any, or deities, that you yourself, dear reader, might worship today–if you worship any at all–well, the ancient Greeks worshiped their pantheon of imperfect gods just as fervently.

Every day.

Prayers for survival.

Supplications before tiny statuettes lit by burning oil in dark, elemental dwellings or stone palaces where, above everybody, equally, the lightning flashed, nearby volcanoes erupted, invisible diseases appeared and storms inexplicably swept in from the sea.

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Odds Bodkin

FALL OF THE TITANS: An Adult Storytelling Performance at Grendel’s Den

Sunday, March 24th, 2019 at 5 p.m.

Tickets: $15

 

 

 

 

 

 

ODIN AND THOR BATTLE THE FROST GIANTS…Close to Sold Out!

Just a few tickets remain for Odds Bodkin’s performance of Viking myths and lore tomorrow night at Grendel’s Den in Cambridge, MA, so grab yours now while they last!

ODIN AND THOR BATTLE THE FROST GIANTS.

Sunday, Jan. 6th at 5 p.m. on Harvard Square.

Drink like a Viking.

Feast like a Viking.

But just don’t behave like one.

Why? Because this crowd has come to listen to Celtic harp, 12-string guitars and Odds Bodkin’s crazy voices for dwarves, Norse gods and giants.

 

TICKETS $15


Like merch? These will be available after the show!

 

 

 

 

 

 

HARPING FOR BEOWULF

HARPING FOR BEOWULF/Video

I sat in my living room beneath my old tin ceiling this morning and recorded this quick extemporization on my Celtic harp. It’s a lovely instrument that creates an atmospheric music, which fits well while describing how in 1563, the year before Shakespeare’s birth, a scholar named Lawrence Nowell discovered the dusty manuscript of Beowulf in his master’s library. No one had seen it in five hundred years.

I’ll be returning to Grendel’s Den on Harvard Square this Sunday, March 11, 2018 at 5:30 p.m. to talk about that and then perform BEOWULF: THE ONLY ONE, probably my favorite story to tell these days. The score is on 12-string guitar, with leitmotifs for various characters. It’s a rather bloody and elemental story, and so children aren’t invited to experience it. But adults are.

Details and tickets are here.

HAUNTED BY THE MUSIC

Mostly the music haunts me. I still recall sitting out on my back porch under the sun umbrella one summer day trying to stitch the heartbreak together. “What can get at this tragic mood?” I kept asking myself, conducting experiments up and down the 12-string’s fingerboard. New chords I’d never played slowly revealed the sculpture-in-the-stone moment, the “ah ha!” release, when I finally said, “Wow. That’s it. That is beautiful. That has the dignity, the elemental loneliness and the magnificence I need.”

I was searching for a leitmotif for Beowulf the Viking hero. Having composed them for Odysseus in The Odyssey, David in David and Goliath, young Percival the knight in The Hidden Grail and other of my long-form bardic tales, musically it was a familiar creative process, but not emotionally.

You can get a flavor of Beowulf’s theme at 3:27 in this live recording of the tale.

 

I’ll be performing Beowulf: The Only One twice in the next weeks, and will be playing Beowulf’s theme and others as I do my best to enact him, King Hrothgar, Grendel the Beast and his vengeful monster mother. I still remember how when I recorded this tale live, the music worked. Two women in the audience felt the way I felt. Right there, in the middle of all those people, so loudly I heard it from the stage, they burst into tears.

 

Tickets and information:

Sunday, March 4 at 7 p.m. at the Riverwalk Music Bar, Nashua, N

Sunday, March 11 at 5:30 p.m. at Grendel’s Den, Cambridge, MA

 

 

With all of the sounds he was able to make, the unique voices of each person, and intricate guitar playing…it was unbelievable.

Martha Taylor, Chair of Classics at Loyola University Maryland, passed this note on to me after an Odyssey performance last September. It was written by a college freshman.

“I didn’t know what to expect and I was completely blown away by the whole thing. The way he told the stories was so captivating! With all of the sounds he was able to make, the unique voices of each person, and intricate guitar playing…it was unbelievable. With all of the sensory details he provided it really was as if I was there, during ancient times, transported to 700 B.C. in the “Belly of the Beast” so to speak.

I absolutely loved his Polyphemus voice, the old man/priest in Apollo’s temple who gave Odysseus the brandy, the men who accompanied him during the travels, the people in the lotus flower scene within the ivy of the sickly-sweet perfumed island–everything! The way he created such a vivid scene made imagining a transcendent and effortless gift.”

I’ll be at Grendel’s Den on Harvard Square, February 11th at 5:30 p.m., to tell this tale again, with Celtic harp and 12-string guitar.

Catch some adult storytelling this February. THE ODYSSEY: BELLY OF THE BEAST at Grendel’s Den.

Tickets at tables are $15.

HAULING OUT THE SIX-STRING GUITAR

It’s some of the fastest bluegrass flat-picking I’ve ever done, this music on the 6-string guitar. Haven’t had cause to tell The Phantom Train of Marshall’s Pass in a couple of decades, but since I’m exhuming the corpse of this tale and adding new fictional flesh to it, the music needs to be re-crafted, too.

Been at it for weeks now, since I’m making a live recording of my ghost and horror stories at Grendel’s Den this coming Sunday the 29th, and the Phantom Train is waiting along with the other tales.

It’s the story of Edward Malloy, the guilt-ridden engineer who drives his passenger train over the Great Divide in Colorado. Long ago, drunk at a switch in Pennsylvania, he let a train take the wrong rails in a snowstorm. A hundred souls died. Now he’s the engineer, and he’s seeing things during his night run, things no man should see.

Come enjoy this hellaciously entertaining story, along with others, at Grendel’s Den in Cambridge MA. Seating begins at 5 pm. Grab yourself a stiff drink and some spooky specialty menu items and prepare to be creeped out. At least I’ll do my best.

 

Heartpounders: Halloween Tales of Horror

Sunday October 29th at 5 pm at Grendel’s Den, Cambridge MA

Tickets are $15 tables and $10 at the bar.