Beowulf: The Only One/Listening Sample

Beowulf: The Only One, an Odds Bodkin epic storytelling audio with music, will be published at https://www.oddsbodkin.net/shop/ Thanksgiving Day 2016. The 65-minute audio is a new bardic telling of the ancient Viking tale, the oldest known piece of literature in English.

With character voices for Beowulf, King Hrothgar of the Danes, Unferth, Wyglaf and Grendel the monster and his mother, the tale is scored throughout with original music on 12-string guitar.

The download is priced at $14.95.

Enjoy this audio sample! 3:25 minutes.

TALES OF THE MOON at the Peabody Essex Museum on 10/15

The Peabody Essex Museum in Salem, MA, known as the PEM, is one of the finest mid-sized museums in the world, and this October 15th, for their Lunar Imaginings Opening Day Festival, I’ll be in Morse Auditorium at 11:00 a.m. with a very special show, Tales of the Moon.

The Twenty-Seven Wives of the Moon is a Hindu tale of how Soma, the Moon, asks Daksha, a powerful god and sage, to marry twenty-seven of his beloved daughters. “Twenty-seven wives?” Daksha responds, dubious Soma can treat each one equally. Soma insists he can do it, and what follows involves Ganesha, the Elephant-Headed God, Shiva the Destroyer and his wife, Parvati, and a host of other gods. Not to mention twenty-six angry wives. How it all works out, and how Soma survives to ride his chariot past the twenty-seven mansions of the stars is the tale itself, and in places is hilarious. I perform it with a sitar-tuned 12-string guitar and voices.

Spinners of the Moon is from Germany and is even funnier. It’s a Grimm’s fairy tale told with Celtic harp about Kelsa, who hates to spin. In fact, she hates everything about flax and the linen that comes from it, in a very smelly process. Never having learned, she’s grabbed by the Queen with the promise that if she can spin a dungeon of raw flax into linen thread in three days, she’ll marry the prince, but if she fails, she’ll lose her head. Kelsa despairs until three of the strangest looking beings–a young woman, a mother, and a crone–appear in the full moon’s light and offer to spin it all if she makes them a promise. Each has an outsized bodily feature connected to spinning. The outcome is very funny, especially when the prince meets them.

The last tale, told with alto recorder, is The Monkeys and the Moon from Tibet. It’s a parable about what happens when we follow a bad leader. Considering the election, it will hit home. In a non-partisan way, of course.

Plus I’ll add all manner of lunar lore to fill things out.

Come enjoy the show!

 

 

 

Odds Bodkin’s THE ILIAD:BOOK I Live Performance Video

Cushing Academy in Ashburnham, Massachusetts is a fine private high school on a hill, and I was privileged to appear there recently before the entire student body one morning. Invited to perform one of my favorite pieces for high school and university audiences, The Iliad: Book I, I had a great time. Along with my long-form telling of The Odyssey (available at my download shop), it’s my homage to Homer. Loving his epics as I do, and wishing that many more young people read them for their timeless messages, I modernize these ancient tales as audios with character voices, music and accessible English.

Only this time, the show was captured on video. Jay Sharron, Cushing’s Media Production Coordinator, shot the performance before a live audience.

It’s now available in four parts as a 322 mb download, mobile quality video.

Find it here!

 

THE MONSTER’S VOICE/Beowulf:The Only One

Beowulf, the oldest known work of English literature, is about a man fighting monsters. Beowulf fights three of them over the course of the story. The first is Grendel, an ancient demon who is terrorizing the Viking Danes. Since he has no powers of speech, to create a character voice for Grendel took some experimenting, but in this prototype recording of Beowulf: The Only One, my hour-long audio story coming out later this fall, you can hear Grendel growl a few times and catch a whiff of his theme music. He’s a beast.
Enjoy.

 

BEOWULF: THE ONLY ONE/12-string guitar music

For Beowulf: The Only One, I play a 12-string guitar with a pick in a modified open E flat tuning. I’ve been devising music in this rare tuning for years now, and if you play the guitar, six or twelve, you’ll find that if you play a C chord in concert tuning (regular tuning) on my guitar, you’ll get a horrible sound. Same thing with every other regular chord. That’s because the fingerings in this tuning are unique to it, and the only way to find them is through exploration.

 
I’ve always thought of 12-string guitars as starships. For storytelling at least, they’re like a vehicle you can get in and take off with, traveling through interstellar clouds of moods. For Beowulf: The Only One, I’ve developed themes that I hope convey the scary beauty of this story. The Beowulf Theme, for instance, embodies the pathos of both the hero and his war-ravaged world. But it also contains hope, at least in Beowulf’s presence, otherwise the story is a pretty dark vision. Hope springs eternal. Still, nothing in human affairs has changed much since the times of Beowulf, other than technology, at least in this storyteller’s opinion.

 
Here’s rough-cut of Beowulf’s Theme:

 

 

 

I hope you enjoy it.

 

To find out about all my storytelling recordings with music, visit www.oddsbodkin.net.

Odds Bodkin