Lawrence Academy in Groton, MA presents The Odyssey: Belly of the Beast, Odds Bodkin’s telling of Homer’s classic this Friday, January 12th at 6:30 p.m. With his 12-string guitar and panoply of characters and sounds, Odds will take the stage to offer this evening of entertainment and education for students and faculty. Generously, Lawrence Academy is also inviting the public to attend, free of charge.
Thank you so much for the consideration and time to send this to me. Like your impact on myself and many people who have heard your stories, this means more than you know.
This is my fifth year teaching The Odyssey in my curriculum, and at the end of class, when I play your stories, I can see the scenes flash across my students’ faces as they listen. Ironically, many of my students have had troubled pasts and special needs, but I rarely see them so at peace as when we hear your tales. They’ll work their tales (sic) off to ensure that we get a daily dose of storytelling at the end of each period.
The demand has been so high, that I’ve had to find a way to cram some passages from The Iliad into the curriculum after the break (a quality problem for an educator to have)…and I think we’ll just have to do a Beowulf unit with some of the Sophomores.
I’m humbled and thankful to have received this help from you during such a busy time. I know many of your fans will be eagerly awaiting the chance to read your book!
Merry Christmas, and thank you so much once again,
-Peter R. Best
Laden with cheeses and bread, young David turns from his father, thinking to himself, “Sometimes I wonder why he doesn’t go introduce himself to the king with a pile of gifts! All King Saul wants me to do is play my harp for him.” Little does David know that the sling he’s used to kill lions will soon hurl him into battle with the Philistine giant, Goliath, and into Jewish and Biblical history.
Detroit Jewish News writes, “With nothing more than his guitar and voice, Odds Bodkin manages to paint a scene more captivating than much of what you see on the big screen.”
This sweeping version David and Goliath, although ancient in origin, echoes modern times. It makes a great gift for Hanukkah or Christmas. Great for older kids, teens and adults.
WINNER: Parents’ Choice Gold Award, Storytelling World Award, Dove Foundation Award
A 60 minute epic mp3 download.
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The highest hilltop in Greenwich, Connecticut is the location of Sacred Heart, a fine school for girls. On the sunny day I was there last week, Long Island Sound was visible in the distance. In the school’s big empty auditorium, as I warmed up my 12-string guitar to perform The Odyssey: Belly of the Beast, the doors were open. The PA was blasting and the music was lyrical, and as I played onstage I noticed girls peering in from the hall to listen. It takes me a half hour of playing to ready my hands for the seventy-minute story, and whoever’s in earshot gets to listen. They smiled and waved and I waved back. Sacred Heart School enrolls elementary through high school girls, and I’d been told by Megan, the English teacher who’d brought me in, who I’d not met before, to expect 5th and 9th graders. 5th was studying Greek mythology. 9th was reading The Odyssey.
So to give them something to listen to as they filed in, I decided to play them an overture. It’s a free-flowing exploration of my story’s musical leitmotifs. The 5th and 9th graders sat, but then other grades began to arrive. 4th graders, I found out later during the Q&A, 7th graders, and others. The auditorium kept filling up, which was fine with me, of course. I think it was the music’s Siren Song that wooed them in. That and a very civilized faculty willing to let them go, I suspect.
Afterwards I drove home on the Merritt Parkway in rush hour traffic and arrived back in New Hampshire five hours later, somewhat bedraggled and too tired to wonder how the show went. The next morning I received this email. Sometimes it’s hard to tell if things go well. That afternoon, I think things did.
This morning all of the students arrived to school absolutely gushing about yesterday’s performance. In my classes this morning, all the girls wanted to discuss the wonder of the performance. We were all absolutely captivated. It was a magical and transportive experience. Thank you so much for giving us such a gift. We hope you will be able to visit us again.
Megan gave me permission to share her letter. Reactions like this remind me of why I got into this business, and I’m still in it, enjoying every rarefied moment. It’s an aesthetic delight for me, and kids never forget this show. If you know anyone who’d like to invite me to tell The Odyssey: Belly of the Beast at any elementary, middle school, high school or university, send them to this link. Kids don’t forget it. Why? Because their Muse has been summoned. It shocks them, since often it’s the first time they discover they’ve got one.
Rapunzel’s Window is the title of a haunting new composition of mine that features air flute and strings. If you know a teenage girl who’s feeling overwhelmed, buy her this 3:09 piece of music to listen to. It’s a whopping $.99 at my online store and is guaranteed to let her know she’s not the only one who’s ever felt that way.
It’s subtitled “Lonely Music for Air Flute and Strings” and so isn’t supposed to make anybody happy. Just reflective.
In preparing to publish this and a few other instrumental pieces, I sent Rapunzel’s Window to a dynamic young woman mover-and-shaker here in the town where I live. I don’t know her very well but together with her husband and others she was part of funding a project here at my home this past fall, so the symphonic songs were a thank you.
About a month later I got a card back, having wondered for a while if she’d ever downloaded them from Dropbox. Turns out she had, and that of all of them, Rapunzel’s Window moved her the most. That was nice to hear. I think of this tune and the others I’ve composed as “anti-pop” or something like that. No thudding rhythms. No sampling of other people’s loops. No obscenities that cheapen love. Just music made by hand on a synth keyboard or with real instruments, or both.
The full tune is available here.