PLAGUE DOCTORS

During the centuries of Bubonic Plague in Europe, “plague doctors”, if you could call them that, wore bird-like masks stuffed with herbs. Camphor. Lavender. Peppermint. They had no idea what a bacterium was or what was causing people to die so suddenly and swiftly, but they thought their masks and cloaks might help.

Most people believed the Plague was God’s wrath, visited upon the sinful, which led to the Flagellants—troupes of young men who marched through towns, whipping their bare backs to bloodiness with flails—who hoped that by mortifying their flesh, God would spare their lives.

People in modern times still do this as part of religious devotional ceremonies.

In America, in the scientific age, we now know about bacteria and viruses. We can thank a Dutch scientist named van Leeuwenhoek who, in 1674, first observed microorganisms under his early microscope, thanks to Da Vinci’s discovery of magnification earlier in 1508.

It wasn’t until Edward Jenner, an English scientist who in 1796 discovered that smallpox could be prevented by introducing cowpox virus—a lesser cousin of smallpox– into the skin, that vaccination was born.  He’d noticed that milk maids, who spent time with cows and commonly developed cowpox, seldom got smallpox. He theorized that cowpox exposure charged the immune system against its more deadly relative, and slowly, the notion of vaccination took hold in the West.

“Variolation” – introducing smallpox pus itself into the skin – was an old practice among the Ottomans and other cultures, by the way.  European royalty practiced it, too. The problem was, it killed 10% of subjects, but still offered better odds than full-blown smallpox. At Valley Forge, George Washington ordered all his troops to undergo variolation. It just might have saved the American Revolution, just before his army crossed the Delaware and routed the sleeping Hessians at Trenton. You can read a compelling account of this in Kathryn Goodwin Tone’s THE KINGS BROAD ARROW, a young adult novel.

 

 

Dr. Jenner, however, believed in his cowpox vaccine. Scratch yourself with cowpox, wait three months, then scratch yourself with smallpox. No smallpox symptoms appear.

I’m not sure how much of this history modern anti-vaxxers know. I really doubt that the miniaturization of killer microchips has arrived at the level of sophistication where any of these Covid vaccines incorporates them. To what end? To switch off billions of people with the flick of a switch? Why not just let the plague run rampant and kill us off by itself? Besides, there’s a worldwide chip shortage these days. And those are just the regular-sized ones.

Covid is a result of peering into what should be a forbidden area of inquiry–gain of function in viruses and their weaponization—and represents human hubris at its worst.

Sure, in war bullets can indeed be useful, but not if you shoot yourself in the foot with them.

 

 

 

 

 

A Mad Scramble

It was a mad scramble. In an email, two weeks out from Sept. 9, Professor Walsh, Chair of Classics at Loyola, wrote that campus conditions were “vexing.” He warned we might have to go with Zoom again due to sudden Delta variant rules. I already had my Southwest Airlines ticket. As always, I’d stay with my sister Lindsay outside Baltimore, drive to town the night of the show, perform the tale, and then go out to dinner with the profs.

For fifteen years I’d done this in September. I’d pack my 12-string and tell either The Odyssey or the Iliad: Book I for two hundred Classics and Honors students in a big performance space. 70-minute storytellings. Either psychodrama or high adventure.

But now there was an indoor mask mandate on campus, even if vaccinated. How could I perform with a mask on? That was patently impossible and so I wrote Professor Joe Walsh back with the suggestion that for the second year in a row, against our frustrated wishes, we could always Zoom from my studio in New Hampshire. I work with a brilliant digital engineer named Gavin Bodkin, who has helped his dad move online since the pandemic began. Yes, Gav was available to produce. Joe Walsh agreed. My Zoom studio on the third floor had sat unused during a summer of live shows.

The mad scramble began.

I tightened the twelve fresh strings on my Taylor from the floppy looseness I’d planned on for safe flying. I strung it up to the open tuning I use for The Odyssey. Gavin produced the Zoom invitation to be sent to the students from faculty. Five nice people from Loyola suddenly became involved and we exchanged a blizzard of emails. I provided an Odyssey logo.

And then I heard Martha was back from sabbatical and that she’d be the one to introduce me. Professor Martha Taylor is, I guess, now that she’s back, the Chair of Classics once again. It was she who, fifteen years ago, established the annual tradition of inviting me to perform to kick off each fall semester. It might be over Zoom, but it would be great to see her again after her two sabbatical years.

I started rehearsing the Odyssey musical score and on a drive to my son Jon’s house to return a pair of sandals I’d inadvertently swiped at a party there, I ran the movie of the story in my mind. Troy. The beach at Ismaros. The Lotus Eaters. The Cyclops. After a half hour out, and a half hour back, the story was rehearsed and ready.

Bless his heart, Gavin arrived at 4:30 for the 7 pm show, rested for an hour, and then we climbed the two flights of stairs to the studio. A jet black backdrop, a wooden chair, a quiet little fan, tried and true lighting, and the camera mounted in place two feet away from me. Last spring I conducted performances and full day residencies for elementary kids from that chair. I doubted I’d ever be back. The pandemic was over, right? Wrong, as we all now know.

By 6:35 Gavin was in his headphones watching the computer, seeing who was in the waiting room. Joe showed up on my screen and we talked until Martha, too, appeared. We chatted, lamented our lost profs’ dinner, and got ready for the show. More and more students were signing on.

Telling my version of The Odyssey is like entering a dream. The music is constant, and lofts the words and sounds along. Once it begins inside the Trojan Horse, it doesn’t end until the Cyclops is blinded, and Odysseus escapes with what’s left of his crew. During such shows, I lose all sense of time and awareness of my body. All that I’m aware of is my fingers running the frets of the guitar, and how the music is blending with the imagery. The characters all know what to say. Sometimes they surprise me, and say things I’ve never heard before.

This version ended up seventy-five minutes. Then came the questions. Suddenly, faces appeared in group mode on Zoom. Here were all these young people who’d just watched the show with me on full screen, only I could see them now. Groups of five or six on a couch, with masks on. Some alone in their dorm rooms. Hands went up. The questions? How did I memorize all that? Is the music all planned out? We went on for another fifteen minutes. They were enthusiastic and very nice.

I’m old. They’re young. Still, it worked.

Of course, the story is imagined, not memorized, and the music, like jazz, is spontaneous, moment to moment.

Even Martha loved it. She sent me a post-show email inviting me back for year sixteen.

So it looks as if until this plague really does end, I’m Zooming again.

 

https://www.oddsbodkin.net/educational-programs/

 

 

 

 

 

 

 

 

 

The Back-to-School Storytelling Motherlode

The Back-to-School Storytelling Motherlode is Odds Bodkin’s MASTER DRIVE.

Buy it, plug it in, and share these mp3 albums with your young children, elementary and middle and high school students, and you, the adults. All 19 albums are age-coded. There’s even Odds Bodkin’s The Water Mage’s Daughter, a 550-page epic poem for literate readers.

These award-winning storytelling albums include live acoustic music, character voices and stunning vocal sound effects, some with virtuoso whistling here and there. It’s all real.

100% natural storytelling. Classics as well, like The Odyssey, Hercules, David and Goliath and Beowulf.

Grow your family’s imaginations and knowledge with the Back-to-School Motherlode–

Odds Bodkin’s MASTER DRIVE.

The Ultimate Back to School Storytelling Collection: Give Your Child the Imaginative Edge

Got a kid in kindergarten? You’ll want this. Got an elementary age child? You’ll want this. Are you yourself someone who values high-quality adult storytelling? You’ll probably want this, too.

Odds Bodkin’s EPIC DRIVE, a collection of 19 full-length storytelling albums. The New York Times calls him “a consummate storyteller.”

The Evergreens: Gentle Tales of Nature for the youngest of listeners.

The Odyssey: An Epic Telling, a fabulous introduction to Homer’s world (when you order the drive, we’ll include a free autographed Odyssey Adventure Map of the Mediterranean Sea that tracks Odysseus’ journey): great for 5th graders on up.

 

The Little Proto Trilogy, three musical dinosaur tales the entire family will enjoy. Parents’ Choice award-winners.

And much more. Paul Bunyan tales. Funny Folktales. Fairy Tales. Beowulf. Hercules. On and on.

Just plug in the drive and drag the mp3 files onto your computer, then share them with your family. And you can share the drive with others, too.

An award-winning treasure trove of musical tales, filled with unforgettable characters.

THE EPIC DRIVE.

Give your child the imaginative edge.

 

Odds Bodkin’s Live and Zoom Shows Now Booking for Fall 2021 and Winter 2022

Odds Bodkin’s Live and Zoom Shows for Are Now Booking for Fall 2021 and Winter 2022!

Fully vaccinated and delighted to be back performing for live audiences, storyteller and musician Odds Bodkin is now booking live assembly performances for K-12 schools in New England and beyond. Plus a host of other incredible offerings for adult audiences. All shows are also available on Zoom.

Last year, Loyola University Maryland opted for their annual Iliad/Odyssey performance via Zoom, and 200 Classics and Honors students tuned in. That was Odds’ 13th annual September show for Loyola. But this year, he’ll be flying down in person with his 12-string guitar to regale his college audience once again. That’s 14 years in a row!

Special thanks to Gavin Bodkin, Odds’ son, for building a Zoom studio for his dad and engineering a host of appearances during the pandemic. Full day GOLDEN RULE residences for elementary schools in Merrimack, NH, complete with custom workshops, were completed to rave reviews (watch video). A Halloween show of Dark Tales of the Supernatural for Syracuse University. An Odyssey: Belly of the Beast performance for Old Greenwich School in Connecticut. An adult concert for a Long Island library. All took place on Zoom.

But now Odds is back live with his 12-string guitars, Celtic harp and other instruments. He’s ready to travel once again.

What is he offering?

 

GOLDEN RULE: World Stories About Empathy for K-2 and 3-6

FAIRY FOLKS AND OLD OAKS: Two Long Fairy Tales told with voices and 12-string guitars

DARK TALES OF THE SUPERNATURAL adult scary concerts for Halloween

DANIKA THE ROSE: A Blend of Dvorak’s Moravian Duets with an original Odds Bodkin fairy tale performed with sopranos Jazimina MacNeil and Sarah Shafer, available for concerts nationwide (the next show is for The Groton School on Jan. 9, 2022!)

THE ODYSSEY: BELLY OF THE BEAST, THE ILIAD: BOOK I, HEARTPOUNDERS: ADULT HALLOWEEN HORROR TALES, BEOWULF: THE ONLY ONE, ODIN AND THOR BATTLE THE FROST GIANTS and FALL OF THE TITANS for universities and high schools

STORYBLAST! Family concerts for libraries, churches and museums are also available.

Be sure to check out the storyteller’s amazing family recordings at Odds’ Shop!

 

 

 

 

 

Odds Bodkin’s THE ODYSSEY 4-hour storytelling audio on sale for two weeks! Usually $49.95, now $34.95!

Usually $49.95, you can now grab Odds Bodkin’s classic telling of Homer’s Odyssey for $34.95! Download all 42 episodes today! This sale lasts two weeks, until June 21, 2021!

From the Belly of the Trojan Horse to the Return to Ithaca ten years later, go inside the mind of Odysseus, the original epic hero of Greek mythology. This classic tale is over 4 hours long and great for vacation car travel. Kids love it, and listen intently. Includes a full musical score on 12-string guitar and Celtic harp.

Winner of the Oppenheim Platinum Award for Best Vacation Product.

Can a Man Who Looks Like This Tell Sensitive Stories for Girls?

Absolutely. Odds Bodkin has been doing it for forty years. Many of his current fans are young women in their twenties and thirties who still love his stories. They write to him often about how much his audio tales meant to them when they were growing up. And a good many of them are now young moms who visit his shop to buy these classic tales for their own daughters.

The Three Spinning Fairies is one such tale. Here’s a sample:

 

The Wise Little Girl is another. Here’s a sample:

 

Now, if you like, you can hear these tales in full for free on your Amazon Alexa, or, you can experience Odds Bodkin tell these and two other tales for girls live on Sunday March 7th, 2021. The show is at 5 pm EST and no matter where you are, you can tune in, because it’s on ZOOM.

A virtual event to celebrate International Women’s Day.

To learn more, click on the logo:

She’s Clever, That One: Fairy Tales for Smart Girls

A Live Storytelling by Odds Bodkin on ZOOM

Sunday, March 7, 2021 at 5 pm EST

Tickets: $25 (Get them here)

9 Full-Length Storytelling Albums for Kids 4-7 on a Single Flash Drive!

Order your Beginner Drive today!

What’s on it? 9 Full-Length Storytelling Albums!

 

The Adventures of Little Proto: A Musical Dinosaur Story

Little Proto’s T-Rex Adventure: A Musical Dinosaur Story

Little Proto and the Volcano’s Fire: A Musical Dinosaur Story

The Teacup Fairy: Very Old Tales for Very Young Children

The Evergreens: Gentle Tales of Nature

With Twinkle in your Eye: Funny Folktales from Everywhere

Rip Roarin’ Paul Bunyan Tales

The Winter Cherries: Holiday Tales from Around the World

The Blossom Tree: Tales from the Far East

 

Tomorrow Night, Masterful Adult Storytelling on ZOOM. The Greek Myth of Hercules

 

THE PROFESSOR’S OPINION

“Odds Bodkin has been thrilling our (college) students every Fall for years now with his live performances, and this year’s zoom performance of Iliad Book 1 was every bit as successful. We have gotten a good deal of feedback from the attendees, and it indicates that they were mesmerized, as usual.  Indeed, several students who had seen Odds perform in the past – and he has fans who come back every year – considered it even better. They loved the fact that they could see his face up close and watch his fingers dance across his guitar and harp.”

–Professor Joseph Walsh, Chair, Department of Classics at Loyola University Maryland after a Zoom appearance last month.

TOMORROW NIGHT, Sunday Oct. 18th at 5 pm Eastern Standard Time

Odds Bodkin goes to work.

Powerful, distinct character voices and 12-string guitar bring his hour-long tale to life.

No Hollywood sugar-coating, just a beautiful, epic Greek myth. Adventure. Tragedy. Humor. Love. Final transcendence.

 

HERCULES IN HELL

5 pm EST on Zoom

A $15 ticket on Eventbrite buys you a URL and password for the show.

Go BIG SCREEN for best viewing.

Hear a sample of the story:

Sponsored by Grendel’s Den in Cambridge, MA

THE HERCULES CHRONICLES: The Birds Who Hurl Feathers Like Arrows

During his Twelve Labors, Hercules constantly wonders why the gods create such hideous monsters, many of which he is commanded to capture or slay. Among them are giant, brass-feathered eagles that infest a forest and regularly carry off village children. Their most deadly defense is to hurl their feathers like razor-sharp arrows.

To drive them off, Hercules travels to Stymphalos with a giant round shield, a spear, his poisoned arrows and a brass bell. When a lone eagle first attacks him in a field, Hercules shoots a poisoned arrow, but it bounces off the eagle’s metal feathers. It angrily hurls three feathers back at Hercules’ shield as he crouches beneath it. The hero instantly knows how he will drive off the flock, which number in the hundreds.

To find out how Hercules does it, set aside an hour on Sunday, Oct. 18 at 5 pm EST for Odds Bodkin’s Zoom performance of HERCULES IN HELL. If you don’t have Zoom, the download is free. There’s a full score on 12-string guitar for added drama, which Odds plays as he tells. With his HD Zoom sound, this guitar thunders with mythic boldness.

Hear a sample:

This is an adult storytelling sponsored by Grendel’s Den. Children 12 and up are welcome.

HERCULES IN HELL on Zoom with Odds Bodkin

Sunday, Oct. 18 at 5 pm EST

TICKETS are $15 per screen.

 

THE HERCULES CHRONICLES: The Golden Stag of Artemis/Coming Up Sunday!

Artemis, the virgin goddess of the hunt, owns a supernatural stag. With hoofs of brass and antlers of gold, it’s a glowing creature that hunters are afraid to mistake for game. If they threaten it, Artemis will surely appear and kill them. Legend says the Ceryneian Stag can run at full speed for a year.

When King Eurystheus, Hercules’ petulant cousin, says to bring it to him, Hercules is shocked. “But Eurystheus,” he moans, “it is a sacred beast!”

“Zeus said I could,” his cousin retorts from his throne. “It’s my command! So do it!”

Knowing he’ll have to chase it for a year, Hercules finally spots the stag in the woods. The ancient hero begins to chase it…

To find out how Hercules completes this astonishing labor, with gentleness and honor—including a confrontation with the young goddess herself–grab your $15 ticket for Odds Bodkin’s upcoming Zoom concert, HERCULES IN HELL.

Log in and Odds will appear on full screen for the hour-long storytelling show. Voices for characters and continuous music on 12-string guitar make this an unforgettable experience. You’ll learn more Greek mythology in one hour than you’ve ever known.

HERCULES IN HELL

An Adult Storytelling by Odds Bodkin

Oct. 18, 2020 at 5pm EST on Zoom

Tickets: $15

 

If you don’t have Zoom, the download is free!

This Zoom concert is sponsored by Grendel’s Den in Cambridge, MA.