Blog

ABOUT THAT AWFUL SCENE IN EARTH OVERTHROWN

ABOUT THAT AWFUL SCENE IN EARTH OVERTHROWN

 

“a modern-day Orpheus”—Billboard

“a consummate storyteller”—The New York Times

“one of the great voices in American storytelling” —Wired

 

When her husband Ouranos jails her latest babies (four gigantic monsters) in the dark depths of Tartarus, Gaia demands to know just what Ouranos thinks he’s doing. “I didn’t approve this!” she cries, feeling anger for the very first time in all her eons of life.

“When they grow up, they’ll be more powerful than we Titans, Gaia!” her worried husband pleads. “It’s too dangerous! Look how huge they are already!”

“I do not give my permission for this,” she retorts, insulted at his behavior. After all, she created Ouranos and chose him as her husband and king. Together they raised twelve perfect Titan children. But now that she’s birthed a few monsters—he is the father, after all–he thinks he can imprison them? And and go against her will? Because he’s afraid of something that may happen in the distant future?

“You do not have my permission!” she hisses.

“I don’t need your permission!” he snaps back, locking the young monsters in their cells.

A darkness overpowers Gaia and she decides Ouranos will no longer be king. Assembling her twelve Titan children before her, she brandishes a razor-sharp blade. “Who among you will wound your father?” she demands, “And take his power?”

Only Cronus, her last born, the one with no talent other than ambition, agrees. In his low, hateful voice he asks, “If I do this, mother, you promise I will become king?”

“Yes,” she replies.

“How shall I wound him, mother? What shall I cut from him?”

Gaia widens her eyes. Her well-behaved, creative children have never seen her in a fury like this. “What makes a man a man?” she asks darkly.

———————–

This chilling, and yes, quite adult scene is part of EARTH OVERTHROWN: GAIA AND THE TITANS. What Cronus does next, and how Aphrodite in her famous seashell is born from Ouranos’ blood, is just part of this revelatory Greek myth. Backstory after backstory. All the way to the conniving grandson, Zeus, and the war he declares on his parents.

If you’ve ever been curious about where the Gods of Olympus—imaginary as they are–came from, well, here’s your ticket.

The tale is accompanied by a live score performed on 12-string guitar. It’s for adults only.

EARTH OVERTHROWN: GAIA AND THE TITANS

An Odds Bodkin Storytelling Event on Zoom

Thursday, March 3, 2022 at 7 pm EST

Tickets $30 per screen (buys your login and password)

 

 

Pox On You All! You Ain’t Gettin’ This Ship!

A POX ON YOU ALL! YOU AIN’T GETTIN’ THIS SHIP!

After Phineas Krull murders the Grand Builderguilder and he and his pirate crew steal The Waistgold, they think they’re free of the denizens of Port Sqwunk. But that’s not the case. Their pursuers want one thing: The Waistgold and her gem-studded wood.

Me spyglass reveals a damn sixty-oared frigate,
Five times our size easy and loaded with Sqwunks.
With at least ten sails up and her cannons, 12-pounders,

Bebristlin’ her rails, she looks ready fer blood.
Below in ‘er galleys, big Roachers be rowin’,
Singin’ songs ‘o the spirit to pass off their pain,
Hungry eyes on each other to see who’ll die first.
Never thought they’d be comin’, but then I sees why.
‘Tis a damn Builderguilder, not ‘im who be dead,
But another––he the brother?–– with a glass to ‘is eye.

Right, the dead one’s brother or a partner in crime
All hot full ‘o vengeance and wanting ‘er back.
Seein’ me seein’ ‘im as we stares ‘cross the space,
I says, “Pox on you all! You ain’t gettin’ this ship!”

Here’s a quick video introduction to this new performance work by Odds Bodkin:

Be in the audience at Grendel’s Den on Harvard Square this coming Sunday the 27th for the live show!

VOYAGE OF THE WAISTGOLD

A Premier Performance

Sunday Feb. 27, 2022 at 5 pm EST

LIVE AT GRENDEL’S DEN on Harvard Square

Tickets: $35

SHE BUILT IT. LET HER HAVE IT.

SHE BUILT IT. LET HER HAVE IT.

In Voyage of the Waistgold, Phineas Krull, a poisoner and pirate, steals a ship he sees at the docks. With a waistband of gold around its gunwales, the ship is unlike anything he’s seen.

 

‘Tis not just the wheel what’s becrusted with gems,

For the ebony beams sport fat emeralds in rows

Seemin’ lit from behind inside finely carved scrolls

Among faces, creatures, temples, odd leaves,

And wrought geometrics o’ the Golden Mean.

 

In a blood-soaked book Phineas reads who ordered it built: young Ood, an orphaned enchantress queen from far to the north. According to the book, she’s probably dead. Her land was in flames when the scribe who wrote the book escaped.

The problem is, it turns out Queen Ood is very much alive. And once she does the impossible and finds Krull on the open sea, she wants her boat back. He lets her and her soldiers come aboard. A confrontation soon follows.

 

“I’d like you to leave,” she says, facin’ the windows,

Unwillin’ to share any truths in ‘er eyes.

“As ye wish, lady queen. Ye may sleep in this cabin.

Know this, though: The Waistgold, tomorrow at dawn,

Sets ‘er sails as she was, ‘fore your boats come a’flyin’.

We’s still headin’ west. Ye can fight, leave or ride.

So please do consider just what ye might do

To avoid unpleasantries fer ye and yer crew.”

 

She understands the danger she faces demanding what is now a pirate ship. It’s the beginning of an astonishing relationship.

I’ll be performing Voyage of the Waistgold in one week, at Grendel’s Den on Harvard Square. In this original fantasy world, I’ll perform the tale in pirate patois, with Phineas Krull as the narrator. If you come, be sure to bring a thick skin; this story is guaranteed to leave no one unoffended. It’s adult fun.

Have some food and drink, and then be among the first to experience this tale.

Odds Bodkin

Voyage of the Waistgold

Sunday, Jan. 27, 2022 at 5 pm EST

Grendel’s Den in Cambridge MA

Tickets $35

 

 

 

 

 

 

 

 

 

Origin Myths

Long before geology and science in general led to a revolution in our understanding of Earth’s ancient story, pre-scientific peoples asked the question, as all of us do: where did all this come from? This Earth? We humans? The life systems of rock, oceans and sky that sustain us? When and how did it all begin?

Those questions remain profound ones, questions that we’re still working to answer. Our human origin story is more finely honed with each passing archeological and genetic discovery—and there are plenty more to be unearthed—while Earth’s origin story, and that of our Solar System and the Universe, is deepened by astrophysical discoveries every day.

However, pre-scientific peoples were just as smart as we are, they just didn’t have our modern tools. Did that prevent them from using their raw senses and storytelling skills to explain where they themselves came from? Certainly not. After all, what’s an ancient father or mother to do when their child asks, “Mommy, where did the stars come from?” Better say something by way of explanation, otherwise your child will think you’re a know-nothing.

And so, around fires in caves and eventually in mud huts and stone cities, origin myths were born. Every band of humans had one, unique to their surroundings.

The ancient Greeks were especially detailed in their fantasies, and no Greek more so than the poet Hesiod, who lived around 700 B.C.

I have based EARTH OVERTHROWN: GAIA and the TITANS, on Hesiod’s Greek genesis story, The Theogony.

In this origin myth, Gaia is the Earth. Her children the Titans create the ecological systems upon her surface. They all take both human and elemental forms, switching easily back and forth, and all have human failings, just like we do.

That makes The Theogony an interesting tale indeed. Jealousy, horror, dashed expectations, war and betrayal stalked the Titans, just like they do we moderns, who fancy that we know so much more than the ancients.

There’s even some humor.

STORYTELLER ODDS BODKIN

EARTH OVERTHROWN: GAIA AND THE TITANS

MARCH 3, 2022 at 7 pm EST on Zoom

Performed with 12-string guitar

Tickets: $30

Part I of a 3-part series, POWER MYTHS OF ANCIENT GREECE in March/April

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Voyage of the Waistgold: How a Performance Poem Came to Be

Voyage of the Waistgold: How A Performance Poem Came to Be

Imagine a mountaintop where a bejeweled sailing ship sits perched on wooden rails. It has been built up here, even though the sea is leagues away. Soon it will slide down those rails through moonlit forests until, at breakneck speed, it will splash into the sea.

“That would make an interesting story,” I thought to myself, living in Manhattan in my twenties. I’d jotted down the idea in my journal. “So who would build such a mystery ship?” I wondered. “And why so far from the sea? That doesn’t make sense.”

Later, in a dream state, I envisioned a pirate captain on a ship’s deck, swearing to kill a dark threat, a fell beast that waited for him in distant mists. The captain’s name came to me: Phineas Krull. He was an evil man. Then his ship’s name floated into my thoughts: The Waistgold.

I instantly understood that the ship on the mountaintop was The Waistgold.

 I now had a story with more questions than answers.

 ———-

Voyage of the Waistgold is now a 90-minute spoken word entertainment. I’ll be premiering it live at Grendel’s Den on Harvard Square this coming Sunday night, February 27th at 5 pm.

As outlandish yarns go, it’s pretty good. I hope to see you there!

The show is for adults only.

Here’s the introduction:

 

Storyteller Odds Bodkin

Voyage of the Waistgold: A World Premier

Sunday, February 27, 2022 at 5 pm EST.

Tickets and details here.

Live and Online Adult Story Performances by Odds Bodkin Coming Up in March and April 2022

Live and Online Adult Story Performances by Odds Bodkin Coming Up for March and April!

Master Storyteller and Musician Odds Bodkin announces four LIVE shows coming up at Grendel’s Den on Harvard Square in Cambridge, MA, plus POWER MYTHS OF ANCIENT GREECE, a compelling 3-part series over Zoom starting March 3rd.

“a modern-day Orpheus”–Billboard

Feb. 27 (Sunday) at 5 pm: VOYAGE OF THE WAISTGOLD, the world premier of Bodkin’s original pirate fantasy tale in verse. Live at Grendel’s Den on Harvard Square, the artist reads aloud his outrageous new literary work, narrated in “pirate patois.” GET TICKETS

 

 

March 3 (Thursday) at 7 pm EST: EARTH OVERTHROWN: GAIA AND THE TITANS, the “Genesis story of ancient Greece,” performed with a 12-string guitar score. The first in his POWER MYTHS OF ANCIENT GREECE series on Zoom. Watch from anywhere. GET TICKETS

 

 

March 17 (Thursday) at 7 pm EST: THESEUS AND THE MINOTAUR’S FEAST, his debut telling of this wondrous and gruesome myth performed with 12-string guitar. The second in his POWER MYTHS OF ANCIENT GREECE series on Zoom. Watch from anywhere. GET TICKETS

 

 

March 20 (Sunday) at 5 pm EST: BEOWULF: THE ONLY ONE, his beloved telling of the original version of Beowulf. Live at Grendel’s Den on Harvard Square, Bodkin evokes the old Viking world with voices and 12-string guitar. GET TICKETS

 

 

April 3 (Sunday) at 5 pm EST: ODIN AND THOR BATTLE THE FROST GIANTS, his performance of two powerful Norse myths, Thor’s Journey to Utgard and The Mead of Poetry on two 12-string guitars, with a lore introduction on Celtic harp. All before a live audience at Grendel’s Den on Harvard Square. GET TICKETS

April 14 (Thursday) at 7 pm EST: THE ILIAD: CAPTIVES, PLAGUE AND FURY, his tour de force telling in modern language of Book I of Homer’s Trojan War classic, The Iliad. The third in his POWER MYTHS OF ANCIENT GREECE series on Zoom. Music on thunderous 12-string guitar. Watch from anywhere. GET TICKETS

 

 

April 17 (Sunday) at 5 pm EST: THE FALL OF GAIA, his in-person version of Hesiod’s Theogony, with a panoply of character voices and music on 12-string guitar. This show is live at Grendel’s Den on Harvard Square. GET TICKETS

 

 

 

Odds Bodkin’s Collected Works: THE MASTER DRIVE. A Lifetime of Stories. Read a Review!

Odds Bodkin’s Collected Works–THE MASTER DRIVE–plugs into your USB port. Suddenly you have The Odyssey (all four hours), children’s stories from around the world, The Little Proto Trilogy of dinosaur tales for kids–hours and hours of tales told with music. Plus The Water Mage’s Daughter, Mr. Bodkin’s original 550-page epic  poem. And many more full-length storytelling albums.

Some tales are joyous and funny, others are adventures, but all are age-coded for safe listening by your family. Share these mp3s with their listening devices and watch their imaginations grow!

You’ll own a lifetime of stories for your entire family.

Or read about THE ALL COLLECTIONS download bundle. All his audio tales available for instant download!

“Our kids were raised on these stories since they were tots. Our family custom during the winter is to gather around a warm wood stove with hot cup of latte and share time together listening to books and doing artful projects. When I asked the family what they would like to listen to this season, my husband and kids (now teenagers) asked if we could listen to Odds Bodkin stories again.”

Warm Thanks, 

Nuki Vaillancourt

November 2021

Order yours today!

If You’re in Boston…

If you’re in Boston this February 27th, make your way to Harvard Square. There, tucked away down a set of brick stairs, you’ll find Grendel’s Den, a legendary watering hole. You’ll see a small stage beneath lights that sports a lectern and a microphone. Be sure you’re vaccinated (they won’t let you in otherwise) and find your table. You might even be given a free test kit, new from MIT.

Music will be playing over the sound system, but it won’t be long before I’ll appear onstage and the music will fade. I won’t have my usual 12-string guitars or harp; instead, I’ll open a simple manuscript.

“Voyage of the Waistgold: An Untrue Tale in Doggerel Rhyme by Odds Bodkin,” I’ll begin in my ordinary American English, the one I use to talk to people in the real world. “Chapter One: The Builderguilder’s Boat.”

Ah, but then, Captain Phineas Krull will begin to speak. He’s a terrible, murderous pirate on a fantastical sea, my narrator and the one who lives my 90-minute adventure. His voice is rough and gritty. He even sounds dangerous.

“So I hires me a crew o’ drug suckin’ thieves/To help me to steal ‘er, that fine filly ship./With one goodly mast, like Priapus himself,/Buried deep in ‘er hold ‘neath a parquetry deck/And a gem-crusted wheel fer the high dudgeon winds/ The Waistgold, we seen ‘er, my silver sea slipper/Tied placid ‘twixt other and far lesser boats.”

So begins the saga of how Krull murders the local Builderguilder and escapes with the salvaged Waistgold, only to discover that the gem-laden ship has a mind of its own. A dark magician himself, he’s baffled by his new boat’s powers. And he’s worried, because he doesn’t know how to control them. It makes more sense when he finds a dead scribe’s book, written in blood. In it, Krull reads about Queen Ood, the enchantress who built the boat, who or may not be alive.

This story reads somewhere between William Burroughs’ The Naked Lunch and Jonathan Swift’s Gulliver’s Travels.

According to Wikipedia, Swift claimed that he wrote Gulliver’s Travels “to vex the world rather than divert it”. Voyage of the Waistgold is much the same.

For Adults Only.

Voyage of the Waistgold

A World Premier Event

Februry 27, 2022 at 5 pm EST

Grendel’s Den, Cambridge MA

Tickets: $35

 

TONIGHT! Odds Bodkin Tells The Odyssey on YouTube Live.

Tonight, Odds Bodkin tells The Odyssey on YouTube Live at 7 pm EST, 4 pm PT. Join the crowd for a blast of storytelling excitement, and experience a master storyteller at work. Surging music, vivid characters and compelling narrative bring this classic of Greek Mythology to life.

Meet Odysseus, the weary warrior at Troy. Go inside the Trojan Horse. Meet the languid Lotus Eaters on their perfumed island. And finally, be trapped in the Cave of the cannibal Cyclops with Odysseus and his men.

“a modern-day Orpheus” — Billboard

This 70-minute live performance comes with an intermission. Claire Hennessy of Six Feet Apart Productions will MC the show.

Get your tickets now! And stay after the show to chat with Odds Bodkin.

 

The Odyssey: Belly of the Beast

Odds Bodkin, Master Talesman

Sunday, Jan. 30 at 7 pm EST on YouTube Live

Tickets $25-$30

 

Sunday Night at 7: The Odyssey Told with Music

Sunday night at 7: The Odyssey Told with Music.

Master Talesman Odds Bodkin plays 12-string guitar as he tells The Odyssey. The musical pace quickens, then explodes, then returns to serene beauty as the tale unfolds. Bodkin uses “leitmotifs”–musical cues like Darth Vader’s ominous theme in John Williams’ Star Wars music. If you’ve never seen storytelling like this, you’ll enjoy the heightened energy and vividness.

The Odyssey: Belly of the Beast

A 70-minute Tale with Intermission

Jan. 30 at 7 pm EST and 4 pm PT on YouTube Live

Odds Bodkin

Tickets: $25-$30

A Week from Today: Odds Bodkin tells THE ODYSSEY

A week from today, Odds Bodkin tells THE ODYSSEY on YouTube Live. This rescheduled performance (Omicron interfered but all is well) begins at 7 pm EST, 4 pm PT. Produced by Six Feet Apart Productions and hosted by Claire Hennessy, this 70-minute tour de force storytelling performance combines thrilling music with vivid characters acted in real time.

Journey back to Homer’s world of Greek mythology and the Trojan War with a Master Talesman.

“a consummate storyteller” — The New York Times

“a modern-day Orpheus” — Billboard

Odds Bodkin

The Odyssey: Belly of the Beast

Sunday, Jan. 30 at 7 pm EST

Tickets: $25 – $30

The Omicron Tailspin

The Omicron Tailspin happened this week.

Truth be told, there was a blizzard coming to New Hampshire on Monday. A big one. Ten inches of snow. Nor’easter winds. But it wouldn’t start until after midnight, so Gavin would have time to get back home Sunday night to his girlfriend, Katelyn, at their place in Keene, about an hour away. This was my plan as of Saturday night.

My plan collapsed, however, when Gavin’s text came in Sunday morning at nine o’clock.

“Hey Dad. We’ve both been diagnosed with Omicron.”

A flood of worries hit me about his health, but also about what I’d do now about my Sunday night Odyssey show. Not only is the inimitable Gavin Bodkin my son, he’s also my Zoom producer. Without him, I can’t do shows.

  Gavin Bodkin

I once had a flu that kept me flat on my back for three weeks and almost killed me. Another time, I had a cough that was so deep and persistent that I injured something down in my left lung—I think I bruised my diaphragm—and a couple of weeks later a huge purple bruise appeared on my left torso. It had traveled all the way through to the skin, even though the cough was long gone. Well, after that, I’ve been wary of fevers with coughs, especially Covid, since the first variant probably would have killed me if I’d contracted it. All this time—all of 2020 and 2021–our three boys and their loved ones had been circumspect about Mil and me. They’d labored mightily during the pandemic to make sure mom and dad didn’t fall ill. Up until now, we still haven’t caught the darn thing. Knock on wood.

But if Gavin came over tonight, I thought, even masked, he’d give it to us for sure. He half-heartedly offered to come anyway, but it was an easy decision for me to make: son, stay home and get better.

I decided to postpone the show. No choice.

In time zones, California is three hours behind New Hampshire. Nine o’clock, here where I live, is six o’clock out in California. Good grief, I thought, Claire, Mark and Regina are still probably asleep. To cancel tonight’s show meant they’d need to email all the ticketholders to let them know. The Odyssey: Belly of the Beast was the Zoom performance in question. Claire, Mark and Regina are the principals at Six Feet Apart Productions.

Were they early risers? Already sipping coffee at 6:00 a.m.? Or were they still happily asleep, unaware of this screwup in New Hampshire?

“I’ll email them at least,” I thought, and shot off a bad news email to Claire. Emails don’t wake people up. Claire hosts the show.

  Claire Hennessy

I paced around until 10:00 my time. No response from Claire. “All right, I’ll call her,” I thought, and rang her cell. Got her voicemail. Still not awake. Heck, it’s Sunday morning. Why should she be?

There was my Taylor 12-string, gleaming with its fresh set of strings. It was set to the Odyssey tuning and ready to go. I always string my guitars the day before a show to get that fresh, bright bronze sound and let the strings settle in.

An hour later I was pacing around my kitchen when Claire rang on my cell. I apologized for calling so early and explained to her what had happened with Gavin. In her lovely British accent she sounded remarkably composed as she chalked it up to “life happens.” She shared how her daughter had come down with Covid over Christmas and how they’d all been forced to stay apart. Her comment made me feel much better. She understood.

Yes, she’d email all the ticketholders from Eventbrite and let them know the show was off for tonight. I suggested we reschedule for January 30, two Sundays away. After a little back and forth, she agreed.

And she did email everyone. Within the day she’d even updated the show logo and sent it over, along with updating the tickets link. We updated our site shortly thereafter, and the deed was done.

Gavin has nearly recovered, I’m happy to say, and Katelyn is back to 100%, she says.

And so on January 30th, Gavin will join me in the Zoom studio and we’ll do my 70-minute Odyssey show and have a lot of fun. It will be good to see him, as usual. It will be good to see my audience, too, since after the show, I’ll be taking questions. The actual story will be on full screen.

My guitar is still sitting there with those fresh strings.

And we’re still selling tickets, too, by the way.

 

Odds Bodkin

Bradford, New Hampshire