“I Cannot Stop Listening”

Simon Brooks is an Englishman and fellow professional storyteller. He recently wrote a review of my latest epic audio story, Beowulf: The Only One. I’ve excerpted it below.

“Like all of his work, Odds Bodkin’s ‘Beowulf’is deep, funny, and brilliantly told. Odds’ version is entertaining and pulls you in so you cannot back away from it… I have listened to it several times. In fact I am at the point where I cannot start it unless I have the time to finish it all. I cannot stop listening to the words and music which flow so wonderfully throughout the hour and twenty minutes or so it lasts.”

Want a good story to listen to? Told for adults? You can listen to a sample and buy it here.

Happy Summer! And thanks, Mr. Brooks.

THE MYTHIC CAR TRIP SALE: 50% OFF ODDS BODKIN’S EPIC ADVENTURES (TEN HOURS OF STORYTELLING)

Become lost in classic myths and legends told by Master Storyteller Odds Bodkin. Pre-teens to adults will enjoy The Odyssey, Beowulf (NEW), Hercules, Sir Percival, Viking Myths, The Iliad: Book I (video) and David and Goliath, all told with unforgettable characters and music. Find out more here!

Beowulf: The Only One/Listening Sample

Beowulf: The Only One, an Odds Bodkin epic storytelling audio with music, will be published at http://www.oddsbodkin.net/shop/ Thanksgiving Day 2016. The 65-minute audio is a new bardic telling of the ancient Viking tale, the oldest known piece of literature in English.

With character voices for Beowulf, King Hrothgar of the Danes, Unferth, Wyglaf and Grendel the monster and his mother, the tale is scored throughout with original music on 12-string guitar.

The download is priced at $14.95.

Enjoy this audio sample! 3:25 minutes.

Odds Bodkin Stories Worldwide

Two recent download purchases at my digital store have come from Krackow, Poland and Beijing, China. That’s very interesting to me. Even in these far flung (at least from America) locations, people out there know the value of intelligent listening for their children. And themselves.

They know, as a mom who wrote me recently stated, “Thank you for writing about tough topics but remembering that humor is important, too. Thank you for being someone my kids could use to help explain the world but never told them what to think. Thank you for talking about doing the right thing, even if it is hard, but never beating anyone over the head with the morality.”

In all the lines in her lengthy letter here, those three sentences meant the most to me.

Visit the shop and buy some MAGIC COINS as a gift for kids or adults. Recipients can visit and choose which titles they like at their convenience. Latest new releases include Strings in the Clouds, a calming 6-minute composition on Celtic harp and strings. Good music to listen to while working on complicated things.

Thanks for listening!

Odds Bodkin

Beowulf: The Only One is coming out on Thanksgiving Day, Nov. 24th, 2016, American time zone. I have no idea what time that is in Beijing or Krakow, but I hope those customers enjoy it, too!

BEOWULF: THE ONLY ONE Audio Thanksgiving Day Release

Beowulf: The Only One
A New Bardic Telling with 12-String Guitar

Odds Bodkin’s new 65-minute bardic telling of the oldest story in the English language will be available at http://www.oddsbodkin.net/shop/ on Thanksgiving Day. Employing a cinema-like score on 12-string guitar, human characters and monstrous voices, the audio tells a tale of gratitude and simple courage in the face of ancient evils.

Beowulf: The Only One is gruesome in places and filled with vivid details of old Viking life. Unlike recent Hollywood versions of the tale, the audio closely follows the original poem’s story, from the monster Grendel’s first attacks on Hrothgar’s mead hall to Beowulf’s battle with the Fire Dragon fifty years later.

The story includes frank violence. Not recommended for listeners under 12.

This recording joins Bodkin’s collection of epic tales for older children, teens and adults that includes The Odyssey, David and Goliath, The Hidden Grail and The Myth of Hercules, all available as mp3 audios at www.oddsbodkin.net.

The download will be available for $14.95 using PayPal.

THE MONSTER’S VOICE/Beowulf:The Only One

Beowulf, the oldest known work of English literature, is about a man fighting monsters. Beowulf fights three of them over the course of the story. The first is Grendel, an ancient demon who is terrorizing the Viking Danes. Since he has no powers of speech, to create a character voice for Grendel took some experimenting, but in this prototype recording of Beowulf: The Only One, my hour-long audio story coming out later this fall, you can hear Grendel growl a few times and catch a whiff of his theme music. He’s a beast.
Enjoy.

 

BEOWULF: THE ONLY ONE/12-string guitar music

For Beowulf: The Only One, I play a 12-string guitar with a pick in a modified open E flat tuning. I’ve been devising music in this rare tuning for years now, and if you play the guitar, six or twelve, you’ll find that if you play a C chord in concert tuning (regular tuning) on my guitar, you’ll get a horrible sound. Same thing with every other regular chord. That’s because the fingerings in this tuning are unique to it, and the only way to find them is through exploration.

 
I’ve always thought of 12-string guitars as starships. For storytelling at least, they’re like a vehicle you can get in and take off with, traveling through interstellar clouds of moods. For Beowulf: The Only One, I’ve developed themes that I hope convey the scary beauty of this story. The Beowulf Theme, for instance, embodies the pathos of both the hero and his war-ravaged world. But it also contains hope, at least in Beowulf’s presence, otherwise the story is a pretty dark vision. Hope springs eternal. Still, nothing in human affairs has changed much since the times of Beowulf, other than technology, at least in this storyteller’s opinion.

 
Here’s rough-cut of Beowulf’s Theme:

 

 

 

I hope you enjoy it.

 

To find out about all my storytelling recordings with music, visit www.oddsbodkin.net.

Odds Bodkin

Music for BEOWULF: THE ONLY ONE, a bardic audio story

Want to hear some nice 12-string guitar music? Just a minute or so, but it’s in the play bar. It’s called Heorot, and it’s the theme I play while describing King Hrothgar’s mead hall in my upcoming audio story, Beowulf: The Only One. Heorot is the name of the Danish king’s hall, and it’s a happy place (this music is contented and happy) until Grendel the Demon shows up and starts eating people.

See if you like it.

There are plenty of other themes in the tale, and I’ll put up a few more as time permits. Enjoy.

Odds Bodkin

You can find other themes that accompany my stories at www.oddsbodkin.net.

BEOWULF: THE ONLY ONE/A Storyteller’s Creation Notes

When I heard the late Seamus Heaney’s reading of his 2000 translation of Beowulf on CDs, I was so struck by the golden language and Heaney’s glorious lilt I’ve recommended it to folks ever since. If you’ve never heard it, don’t miss it. Appreciative as I was of the original Beowulf’s heraldic detail (many sub-stories of kings and feuds, which go on and on like begats in the Bible), I wondered whether I might be able to create a bardic version of it, as I’ve done with other epics, that simplified the language and content enough to make the old story itself more accessible, while cleaving faithfully to its soul.

 

 
So a few years ago I set about to create characters and music for it, performed it at the University of New Hampshire once, and a couple of other times since, watching it and its musical score grow in my imagination. I purposefully left out the long-winded heraldic speeches, since unless you’re a medieval scholar they won’t mean much, and instead focused on a few characters. Hrothgar, the old king of the Danes. Grendel, the beast that haunts his mead hall for 12 years, killing men every night. Beowulf himself, of course, honor-bound, preternaturally calm and good-natured in my version, who’s not much of a trickster. Grendel’s Mother, a terrifying demon. Unferth, the drunk who insults Beowulf but ends up lending him his sword. Wyglaf, Beowulf’s faithful cousin, and a few other voices for thanes and thieves. Enough of them, I think, along with the narration and the music, to tell the tale I want to tell, because from my familiarity with various versions, there lies a literary theme in Beowulf that has yet to be explored.

 

 
The theme is this: how, at the end of his life, does a man like Beowulf feel about being “the only one?” He’s the only one brave and grateful enough to journey to Denmark and offer to free Hrothgar of his curse, but also the only one responsible for keeping the peace for fifty years afterwards back home among warring Franks, Friesians and Wylfings. And most heartbreakingly, the only one brave enough to face a fire-dragon that’s awakened, even though Beowulf knows he’s going to die for doing it?

 

 
Mulling this over, and reflecting on Beowulf’s stunning statement (in the original), “Fate often saves an undoomed man if his courage holds,”–my favorite line in the story, which I feature three times in my version in Beowulf’s deep voice–I placed him on the battlements with Wyglaf, wondering aloud whether if something terrible happened now that he’s old himself, if some young man would come to rescue him? Beowulf is not who he was. Still big, but white-bearded and tired of strife.

 

 
Wyglaf says no, and then the dragon appears.

 

 
Beowulf: The Only One will be coming out this fall as a download from my shop at www.oddsbodkin.net. To explore other epics, feel free to visit.