INSIDE THE TROJAN HORSE

Homer’s original Odyssey begins with his son, Telemachus, searching for his long lost dad. In my re-imagined telling, it begins with Odysseus himself crouched inside the Trojan Horse along with his men, hoping the Trojans don’t discover and kill them. They are, after all, utterly alone on the battle plain, the thousand ships of the Greek fleet having sailed away to give the illusion of defeat. And Odysseus, who never wanted to come to the war in the first place, reflects on his beloved wife and son––he hasn’t seen them in ten years––and all his fallen comrades.

 

 
I follow Odysseus’s story all the way, mostly from the wily hero’s point of view, since he’s the only one who survives to the end. He makes terrible mistakes, lapses of judgment he only regrets later. His first, to go raiding for extra plunder instead of sailing straight home. This causes the deaths of friends on the beach at Ismaros, followed by a nine day storm that blows his fleet to the ends of the earth. After that, he’s utterly lost.

 

 
So begins The Odyssey: Belly of the Beast, a storyteller’s version of Homer, told with haunting themes on 12-string guitar and a host of character voices. Plus descriptions of the sea, of islands with waterfalls, of grisly caves, and of life aboard a Bronze Age ship.

 

 
Join me in Cambridge, MA on April 2nd at 8:00 pm at Grendel’s Den to listen and imagine this tale, told in English, of course, with no poetry. Just storytelling. The show is 75 minutes, the first quarter of this epic telling.

 

 
Ticket are $20 and available here.

Odds Bodkin Tells Love Stories at Grendel’s Den in Cambridge, MA

Down through the ages, certain stories have tried to capture the mysterious relationship between women and men––everything from Samson and Delilah to Antony and Cleopatra.  Plenty of lesser-known cultural attempts at capturing what trust and love mean are out there, too.

For Worlds Apart: Tales for Lovers, I’ve chosen two of my favorites from the lesser known side of folklore. A haunting, swelling musical theme on Celtic harp tuned to resemble a Japanese koto underlies The Crane Wife, the first tale in the final show of a series at Grendel’s Den in Cambridge, MA this coming Sunday afternoon at 4:30 pm.

Osamu is a poor and lonely sail maker who can’t afford a wife. Living alone in his hillside hut above a salt grass marsh, he often sees the white cranes landing in the wind. He marvels at how it seems to be held in their wings. But when a fierce storm blows a white crane into his door, leaving it stunned, he sees one up close after he brings it inside, nursing it back to health. The bird’s black, shining eyes gaze up at him until he sets it free.

But the season of storms is not over, and a second tempest brings a frantic knocking on his door. Astonished to find a beautiful young woman standing there, soaked and shivering, he lets her in. The mysterious Yukiko will not tell him where she comes from, but she does not wish to leave, either, and so becomes Osamu’s wife.

All is well until they run out of food and she offers to weave him a magic sail to sell in the village, a sail that whispers wind itself and can propel a ship in calm air. Her one condition: never look at her as she works at the loom behind her privacy screen. At the heart of their relationship is her trust in him that he’ll never do it and look. Does he? Come see the show and find out what happens.

The second tale, The Dame Ragnell, originally written in the 14th Century, asks the universal question, “What does a woman desire most?” Sir Gromer, a dark knight who will kill King Arthur unless he can answer it, demands that the King solve it in a year’s time or die. Once he starts to think about it, Arthur falls into a depression. There are just too many answers. He has no clue.

Enter Sir Gawain, Arthur’s best friend and the handsomest of the Round Table men. He’s the most eligible bachelor at Camelot. The ladies-in-waiting have hot flashes as he walks by. They’re all in love with him.

Gawain laughs at the question and says, “I think it best to ask a woman, sire. Or many. We’ve got a year. Let us ride out and ask women everywhere what they desire most, even in foreign lands. Surely an answer will occur again and again. Tell that to Sir Gromer, my liege, and you’ll be free of this.”

Hopeful and excited, Arthur rides out in one direction with a book in which to write down the answers, and Gawain rides off in another. They interview thousands of women, of all classes, and write down their answers. But after the year is nearly out, Arthur and Gawain grow despondent. There are just too many answers. There isn’t one that stands out.

In three days Sir Gromer will cut off Arthur’s head  and Arthur’s code of honor obligates him to die––he’s given his word––unless he can answer the question. Alone, Arthur rides to the glade in Inglewood Forest where it all began and the most hideous woman Arthur has ever beheld appears on a fine pony. The Dame Ragnell knows the answer and will tell Arthur in time to save his life, but for a price. Sir Gawain must marry her of his own free will.

From there, the story becomes hilarious and very moving. Hope to see you there.

Tickets are here.

The Great Mother’s POV

How would you feel if Earth’s creation––mountains, sea and sky, all living things––were your work and you were Gaia, the original creator of it all? She was, at least according to the ancient Greeks. Gaia is the first of the Titans and she’s driven by Eros to create life constantly. She gives birth to the Twelve Titans, all of them perfect. But when she births six monsters, peace in the Titan family falls apart and launches a Game of Thrones-style conflict among generations. Sex, violence, betrayal and rebellion fill this vivid adult story from Greek mythology told from Gaia’s point of view.

Come hear Master Storyteller and Musician Odds Bodkin tell this wondrous and shocking tale at Grendel’s Den in Cambridge, MA at 5:30 pm this coming Sunday, January 22nd. With character voices, a full score on 12-string guitar and fresh narration, Bodkin turns this little-known myth into a vivid imagination entertainment.

Adult storytelling. Not for children.

Bodkin’s first show at Grendel’s Den sold out, so grab your tickets now!

Fall of the Titans: The Original Game of Thrones

What is Gaia Theory? What Does It Have To Do With FALL OF THE TITANS in Cambridge?

This coming Sunday January 22nd at 5:30 pm I’ll return to Grendel’s Den in Cambridge, MA to tell Fall of the Titans: The Original Game of Thrones, an ancient Greek myth. The 90-minute show, told with narration, character voices and a score on 12-string guitar, is prefaced, believe it or not, with modern science, Gaia Theory in particular. Gaia Theory isn’t a belief, it’s a bundle of sciences. Biology. Chemistry. Physics. Ecology. Plate tectonics. Climatology. Paleo-geology. Vulcanology. Glaciology. On and on. It combines these and other disciplines into the grand notion that Earth is a giant, self-regulating organism, creating and sloughing off complex life forms for many hundreds of millions of years.

Pangea (“all-Earth”) is the name scientists have given the ancient super-landmass that fused the continents 300 million years ago but which drifted apart into what we’ve got today. In certain places, rock layers along the west coast of Africa are identical to rock layers along the east coast of South America, after all. Now the Atlantic Ocean separates them, but at one point they were in the same spot on Pangea. Continents drift about an inch a year.

So what’s the link to my storyteller’s version of Hesiod’s Theogony, a poem from 700 B.C. about the ancient Greek gods we see in the movies all the time? The link is paleo-seas, the waters that surrounded Pangea’s break-up. Scientists have given them names. The Tethys Sea. The Iapetus Ocean. The Pontus Ocean. The Rheic Ocean. Where did these strange names come from?

Well, the scientists who named them were obviously familiar with Hesiod’s creation myth, because Tethys, Iapetus, Pontus and Rhea were Titans, children of Gaia, the Earth itself, all of whom are characters in the Theogony (“birth of the gods”). Think of them as the Earth-Makers. The Bronze Age Greeks looked around and saw mountains, sky and seas and had no idea where they’d come from, so they dreamt up a Titan who created each one of them. Tethys, a Titaness, created the streams and rivers. Pontus created the sea. Iapetus created death to make room for new life. Rhea was the mother of the Olympian gods––Zeus, Hera, Hades, Demeter and so on. They were all part of a family that tore itself apart because of imperfection.

At least that’s the story.

So learning about ancient seas made me curious about the names, the names led me to the story, and now Fall of the Titans is a full-blown performance piece. It’s lots of fun with some pretty cosmic music on 12-string guitar and voices for Gaia, Ouranus, Cronus, Rhea, baby cyclopses, Zeus and others. It is an adult story and is definitely not recommended for children.

I’ll have my Celtic harp to help introduce the science part.

Tickets are $15 for tables and $10 bar seating. I hope to see you there!

Truth or Dare: What Details Should I Include? It’s An Adult Audience, After All.

My text of Hesiod’s Theogony reads like this:

Great Ouranos came, bringing the night,
and spread out around Gaia, desiring philotês,
and was extended. His son reached out from ambush
with his left hand, and in his right he held the sickle,
long and serrated and the genitals of his father
he quickly reaped and threw them behind his back
to be carried away.

“Philotês” means a few things in ancient Greek––friendship, love and sexual intercourse. In this case, it’s definitely intercourse and I’m sure you see where I’m going with this. In this scene, Cronus, the last-born of Gaia’s Titan children, un-kings his father Ouranos to become king himself. Gaia, who’s at the center of my Fall of the Titans tale, is furious with Ouranos for having imprisoned her six latest babies. Ouranos is the Sky (Mother Earth/Father Sky) and has been her husband for eons. Gaia is the Earth. All along he’s been a proud father, having watched Gaia produce 12 perfect Titan children after having philotês with her.

But now that she’s given birth to three Cyclopses and three Hecatonchires (scary beasts with fifty heads) and Ouranos fears what they will become when they grow up, he’s made her angry for the first time. He’s dragged the baby monsters in chains down into Tartarus and locked them in giant prison cells. After this, Gaia decides she is done with Ouranos and wants him de-throned. Since kingliness and fertility were one and the same in the Bronze Age when this tale was set down, castration is the solution. Her ambitious son Cronus agrees to do it. Soon he becomes a paranoid king and since Phoebe, one of his older sisters and a prophetess, foresees that one of Cronus’ children will overthrow him, he eats them one by one as they’re born. Baby Hera, baby Poseidon, baby Demeter, baby Hades and others.

I have two Fall of the Titans shows coming up. I’ve told this story to young audiences in a sanitized, PG version (“Wound your father, so that he may no longer be king” is how I phrase it) but these two shows are for adults, one in Nashua, NH and the other in Cambridge, MA (see below for details). Of course, this is just one small moment in the epic tale itself, but a crucial one. It sets up all kinds of wild events, including the appearance of the Goddess of Love Aphrodite––the first of the Olympians––and a poignant moment later in the tale when Gaia is forced to visit her emasculated ex-husband and beg for his help.

So I’m still wrestling with this Lorena Bobbitt moment. Still not sure what I’ll do.

This coming Sunday night (Jan. 15) at 7:00 p.m. at the Riverwalk Cafe and Music Bar in Nashua, New Hampshire I’ll be telling this tale (tickets here) and once again at Grendel’s Den in Cambridge, MA at 5:30 p.m. on January 22nd. Tickets here.

Wish me luck in telling FALL OF THE TITANS: THE ORIGINAL GAME OF THRONES.

FALL OF THE TITANS: THE ORIGINAL GAME OF THRONES/upcoming show in Nashua, NH

Along with Homer, the ancient Greek poet Hesiod essentially codified old spoken tales of the Olympian gods into the wondrously complex mythology we know today as the Greek myths. It’s good to bear in mind that in their day, these were deeply religious stories and the Greeks believed them as fact. Where had the Earth come from? What caused day and night? Who created the stars? How did the sea become salty? How did memory and prophecy enter the world? Why did weather change? What caused volcanoes to erupt?

Religions do this, each in their own way, even fossil religions like Greek pantheism, and so all these questions Hesiod tried to answer in his poem, The Theogony. “Theo” means deity and “gony” means “the birth of,” and so Hesiod’s “Birth of the Gods” covers all these topics and many more, all filtered, of course, through the mind of a brilliant man who lived circa 700 B.C.

Most folks know about the antics of Zeus, Hera, Athena, Aphrodite, Apollo and the other gods as grownups, but far fewer know the tale of how they were born into a Game of Thrones-style family feud among their parents and grandparents–the Titans.

This coming Sunday, January 15th at 7:00 pm at the Riverwalk Music Bar in Nashua, NH, I’ll be telling my storyteller’s version of this wild old yarn. I call it FALL OF THE TITANS because after they created the Earth, the Titans did indeed fall. It has echoes of Moses in the reeds (Zeus is the hidden baby) and features gorgeous scenes of creation as well as sordid adult moments. If you don’t know this story, you’ll learn how the goddess of love, Aphrodite, was born. Be warned: it’s fairly chilling for most guys. Ambition, lust for power and child-devouring also play significant parts in this Bronze Age narrative.

This is an adult performance and not recommended for children under 13.

As usual, I’ll have my Celtic harp for background lore and my 12-string guitar for scoring the tale itself. I last told this tale in Boulder, CO to an adult audience and they had a great time, so I hope you’ll consider coming to the show. Tickets are $10 here.

ODIN AND THOR BATTLE THE FROST GIANTS Odds Bodkin show in Cambridge MA Performance

Nowadays, personal storytelling is all the rage. The Moth, NPR’s show where people have a few minutes to recount real events in their lives is one of the healthiest species I’ve seen evolve in the media jungle in a long time. It’s almost always moving and refreshing, like a bird of paradise. It’s totally genuine.

I’m not. At least not in that way. The ancient tales I tell are genuine, of course. And the music’s performed live, on whatever instruments, so it’s genuine, too, I like to think. The character voices are created live and I’m never sure what they’re going to say, so they’re muse-genuine, even if they are dramatic illusions and nothing more. Happy to admit that. Am I genuine? Sure. It’s just that these stories aren’t about me.

Take, for instance, Loki, who I’ll be enacting along with a befuddled Thor, a wicked-crafty Odin Continue reading “ODIN AND THOR BATTLE THE FROST GIANTS Odds Bodkin show in Cambridge MA Performance”

2017 Adult Storytellings at Grendel’s Den in Cambridge, MA

Jan. 8: Odin and Thor Battle the Frost Giants: Viking Adventure Myths

Two epic Viking myths wrapped in little-known lore (Thursday is Thor’s Day; Wednesday is Wotan’s Day) told by Master Storyteller and Musician Odds Bodkin. First, Thor Meets the Frost Giants, a tale of magic and illusion as Thor and Loki journey to Utgard, capital city of their enemies. Then, The Mead of Poetry, the long tale of Odin’s search for the blood of his best friend who’s been murdered, his blood brewed into a wisdom-bestowing elixir. Told with 12-string guitar scores and Celtic harp musings, with character voices and vocal effects. Seating at 5:00 pm. Show begins at 5:30 pm.

 

Tickets $15 table seating, $10 bar seating. Get your tickets here. Continue reading “2017 Adult Storytellings at Grendel’s Den in Cambridge, MA”

Beowulf: The Only One/Listening Sample

Beowulf: The Only One, an Odds Bodkin epic storytelling audio with music, will be published at http://www.oddsbodkin.net/shop/ Thanksgiving Day 2016. The 65-minute audio is a new bardic telling of the ancient Viking tale, the oldest known piece of literature in English.

With character voices for Beowulf, King Hrothgar of the Danes, Unferth, Wyglaf and Grendel the monster and his mother, the tale is scored throughout with original music on 12-string guitar.

The download is priced at $14.95.

Enjoy this audio sample! 3:25 minutes.

Odds Bodkin Stories Worldwide

Two recent download purchases at my digital store have come from Krackow, Poland and Beijing, China. That’s very interesting to me. Even in these far flung (at least from America) locations, people out there know the value of intelligent listening for their children. And themselves.

They know, as a mom who wrote me recently stated, “Thank you for writing about tough topics but remembering that humor is important, too. Thank you for being someone my kids could use to help explain the world but never told them what to think. Thank you for talking about doing the right thing, even if it is hard, but never beating anyone over the head with the morality.”

In all the lines in her lengthy letter here, those three sentences meant the most to me.

Visit the shop and buy some MAGIC COINS as a gift for kids or adults. Recipients can visit and choose which titles they like at their convenience. Latest new releases include Strings in the Clouds, a calming 6-minute composition on Celtic harp and strings. Good music to listen to while working on complicated things.

Thanks for listening!

Odds Bodkin

Beowulf: The Only One is coming out on Thanksgiving Day, Nov. 24th, 2016, American time zone. I have no idea what time that is in Beijing or Krakow, but I hope those customers enjoy it, too!

Wednesday Nov. 9th in Boulder, CO: StoryEarth Debut Performance!

Have you ever heard of a performance that combines live storytelling of earth myths with multimedia and provocative new philosophy? Philosophy that tackles the challenge scientists face in telling the true story of climate change? If you haven’t, we’re not surprised, but nothing like StoryEarth has been done before and we want you there.

With Gaia theorist, scientist and naturalist Martin Ogle, I’ll be in Boulder, CO this coming Wednesday night to swap center stage back and forth, moving between ancient story and modern science. Why? To engage the audience (and a further ongoing conversation on Facebook here) with the question: “Do our ancient beliefs about our and earth’s origins serve us any longer?” Yes, it’s controversial, but then again, how humans envision our place in Nature determines how we treat it. Considering global weather, one could say that the Earth is annoyed with us these days. Everyone sees it. Mass migrations have begun as people flee drying regions.  Sea levels are rising. Storms are dumping unprecedented amounts of rain on places that used to be safe.

Serious as the topic is, the show is also going to be highly entertaining. I’ll be performing The Elf of Springtime on Celtic harp and Fall of the Titans, an epic piece with giant voices and a full score on 12-string guitar. And the event will be emceed by Kendra Krueger, nano-materials scientist and Colorado public radio personality.

Even if you’re not in Colorado, if you have friends in Boulder, Denver or nearby places, please share this blog post with them. If they go, I’ll bet they get back to you, excited at what took place.

StoryEarth and is sponsored by the Parent Engagement Network and Entrepreneurial Earth. Tickets @ $15 general admission and $12 for students are available at: http://www.parentengagementnetwork.org/odds-bodkin

DARK TALES OF THE SUPERNATURAL public performance Oct. 29

I don’t tell them often, these three stories. They’re just too unsettling. Still, for Halloween? The Storm Breeder, a New England ghost story, is about an angry man who goes up against Nature and pays an eternal price. The Panther Boys from China is a lycanthropy tale (think werewolves) that pits enchanted sons against their own father. Treasure Trove from Russia is like a wild Twilight Zone story where a greedy fool dons the skin of the Devil to scare an old man into giving up some gold. He regrets that.

Or, if there are too many young kids in the crowd, I’ll go with less graphic tales. I’ll just have to wait and see. DARK TALES OF THE SUPERNATURAL is coming Saturday, October 29th at 5:00 p.m. to the Town Hall in Warner, New Hampshire.

The stories are told with music on 12-string guitars and alto recorder. Lots of voices. Lots of really wild vocal effects, too.

Tickets are $10 in advance and $15 at the door. Hope you can make it!